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告别武器
海伦·海丝,加里·库珀,阿道夫·门吉欧,玛丽·菲利普斯,杰克·拉鲁,布朗什·弗雷德里克,玛丽·福布斯,吉尔伯特·埃默里,爱丽斯· 亚岱尔,亨利·阿尔梅塔,赫尔曼·宾 ,Agostino Borgato,Robert Cauterio,玛塞勒·科尔代,基诺·科拉多,George Humbert,威廉·欧文,多丽丝·劳埃德,弗雷德·马拉泰斯塔,保罗·波尔卡西,Tom Ricketts,Frederick Sullivan困惑的浪漫2
Monika M. , Mark Reeder , Lena Braun寄宿房
桑德琳娜·米歇尔,阿里·伊尔汉姆,Cassandra Lee凶兆1976
格利高里·派克,丽·莱米克,大卫·沃纳,比莉·怀特劳,哈维·史蒂芬斯,帕特里克·特罗,马丁·本森,罗伯特·里耶蒂,汤米·杜根,约翰·斯特赖德,安东尼·尼科尔斯,霍利·帕兰切,罗伊·博伊德,弗蕾达·道伊,希拉·雷诺最优路径
真犯
宋清晨,柳善,张赫镇,吴珉锡,郑海钧,韩秀妍,郑熙泰,申贤德,尹颂雅,张英,俊贤淑同类精选
七年很痒
刘青云,应采儿,刘嘉玲,安志杰,蒋怡潜舰情缘
何塞·加西亚,皮奥·马麦,伊尔·哈达拉绑架2007
林嘉欣,刘若英,张智霖,郭涛,张兆辉,官恩娜,赵会南我们的天空，我们的河
Mahmoud Abu Abbas,Myriam Abbas,达丽娜·阿尔·乔迪,Sami Al-Ali,Labwa Arab,Basim Hajar,Amed Hashimi,Muslem Hassoun,扎伊纳布·约达,Ali Kareem,Zaydun Khalaf,Kholod Mohamad,Suzan Muneam,Siham Mustafa,Badia Obaid,Kamaran Raoof,Karam Thamir迪瓦塔·缪斯
韩塞尔与葛雷特
千正明,陈智熙,沈恩敬,殷元在影视排行
坏血1986
米歇尔·皮科利,朱丽叶·比诺什,德尼·拉旺,汉斯·迈尔,朱莉·德尔佩,卡罗尔·布鲁克斯,乌戈·普拉特,米雷耶·佩里耶,塞尔日·雷吉亚尼,弗朗索瓦·尼格雷特这部电影将写实与科幻合而为一。一种传染性性疾病STBO正在国内蔓延，它通过没有感情的性活动传播。 小偷马克和汉斯欠一个美国女人一笔钱，她限他们两个星期还。他们打算去偷一种专治类似艾滋病的药剂，然后高价转卖。于是他们雇来了亚力克斯，一个正在跟16岁女友丽莎分手的青年。但在计划实施之前，他迷恋上了马克的情妇安娜。丽莎却并没有死心，在他们动手那天她来到了巴黎，使得事情更加复杂化…… 当然，这是个悲剧。Love that burns fast but lasts forever. 这是导演Leos Carax继《男孩遇见女孩》后的第二部作品，继续他对青春和孤独等题材的关注，也就是在此片的五年之后诞生了影史经典之作——《新桥恋人》。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
纳粹僵尸
Matthew Baunsgard,达米安·罗扎内克,Ellis J. Wells,Richard Kovacs,Zach DevereuxA special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
世界的主人
徐粹彬,张慧珍,金郑植,姜彩允,李宰锡,朴知玧,金艺昶,高旻示,白贤珠,卞重熙,文惠仁,郑恩京,李尚熙,李代延,金锡勋,林在赫珠仁17岁的时光，是热切投入青涩的恋爱，和好友打闹笑谈对性的好奇，替任职幼儿园校长的甩碌阿妈善后，闲时练跆拳道和做义工挥洒满身活力。某日，同学发起联署，反对出狱在即的强奸犯重回社区，只有珠仁一个不肯签名。她冲口而出的一句话，令她周遭的世界起了剧烈变化。那边厢，幼儿园小女孩身上的瘀青，不禁令人起疑.…..尹佳恩导演一向擅拍儿童，早获奉俊昊力赞为下一代大师级人马，此次探索少女内心幽微更见精准细腻，新人徐粹彬的演出展现惊人层次和魅力。看似平凡的青春日常，幻化成对创伤、韧性和连接的动人描绘，悄无声息地撼动心灵。