あいかとラブラブ◆新婚生活 国友愛佳写真
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我，许可
文淇,秦海璐,白客,李雪琴,牛莉,刘佳,啜妮,王和,张馨文,张懿曼,黄少峰,李哲霆,黄博远,李冠廷,刘杰毅,合文俊,翟韬00后“母单”女孩儿许可（文淇 饰）面临一场迫在眉睫的妇科手术，却因妈妈胡春蓉（秦海璐 饰）的突袭式造访打乱了所有计划。母女同居，冲突乍起。在新旧观念的摩擦中，没想到女儿对妈妈展开了一次又一次反向教育——跟妈谈心，不如带妈蹦迪；给妈上生理课，不如直接送妈小玩具……最终许可能否顺利手术，胡春蓉又能否鼓起勇气开始新生活？这场笑点和泪点齐飞的大戏，又将如何重塑两人之间的母女关系……
洛奇
西尔维斯特·史泰龙,塔莉娅·夏尔,伯特·杨,卡尔·韦瑟斯,布吉斯·梅迪斯洛基•巴尔博厄(西尔维斯特•史泰龙 Sylvester Stallone 饰)是费城的过气拳击手。他空有拳击热忱，却只混杂于三流拳击赛中。一天，他对售货员艾黛丽安（塔里亚•希雷Talia Shire 饰）一见倾心，虽然这个姑娘长相一般，性格内向，却毫不阻碍洛奇对她爱得炽热。爱情得意，事业也开始一路畅通。为了庆祝美国建国200周年，当地举办了一个拳击比赛，胜出者将获得15万美元的高额奖金。美国一个拳击巨星在比赛中受了伤，主办方选中了洛奇去上演一场“灰姑娘”式的比赛，大敌当前的同时，也是洛奇事业转机、大显身手的良机。洛奇在赛场上苦撑15回合，在面肿血流之际，会不会有奇迹的发生？
校园鬼谈
อาไท กลมกิ๊ก-สุภทัต โอภาส,สุชาติ แคปเจอร์-สุชาติ จันทร์แก้ว每个学校都有很多故事，从新生入学到毕业，一届又过了一届，然而那些建筑和房屋仍然留在原地，有些人带着难忘的回忆离开，而那些回忆可能永远也不能忘记……
乌鸦
浅野忠信,泷内公美,托比·凯贝尔,高冈早纪五〇年代，相馆世家长子前往东京追寻属于自己的艺术摄影。十年打磨，怪才摄影师深濑昌久在东京重生，爱妻鳄部洋子成为他的缪思女神，痴迷、寂寥、狂乱的灵魂逐步显影。在快门间追求游戏与私密性的展现，深濑昌久步步建筑起属于自己的艺术殿堂。但背后驱动鼓吹他的，却是一只潜伏在心底暗角、如影随形的乌鸦，一点一滴渗透他的心灵⋯⋯
册杀
牛骏峰,尚语贤,白恩,王奎荣,胡耘豪,李光复,喻亢,马渝捷,徐筠,邓志浩,邬倩,曲戈,陈俊安,姜琦,时銘健,朱海军李氏家族不曾向外界开放的藏书楼临渊阁突然遭窃，侦探白飞受邀前来协助调查。在神秘的密室现场，他发现这看似普通的盗窃案背后危机四伏，人人都似乎怀揣着不可告人的秘密。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster