剧情纵览
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan秋本翼 –「混浴気分vol.14」
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan秋本翼 –「混浴気分vol.14」
又是一年足球赛季,成绩不甚良好的巴黎队即将前往卡布隆吉与当地球队进行对抗。巴黎队球星山姆·罗瑞特(奥尔本·勒努瓦 Alban Lenoir 饰)出生于卡布隆吉,他最近表现不太出色,因此备受媒体奚落。与此同时,众多球迷相继云集到球场,准备欣赏一场精彩的赛事。杰诺特(Sebastien Vandenberghe 饰)饰卡布隆吉的一名球员,他似乎和山姆有着不可化解的仇恨,因此不惜借助未知药物的帮忙。谁想到注射药物过后,杰诺特突然暴走,俨然变成了嗜血如命的僵尸,只是这一变故还没有什么人察觉。 漫长的旅途过后,巴黎队抵达驻地,山姆被当做叛徒遭到家乡人的谩骂。此时没有人知道,即将到来的比赛中将会发生什么可怕的事件……
一位定格动画师,在失去专横的母亲后,正在努力控制自己内心的的恶魔。她孤身一人,开始创作一部令人毛骨悚然的定格动画电影,这部电影很快就成为她理智的战场。当她的精神开始崩溃时,她的动画电影中的角色有了自己的意志,她释放的想象力威胁着摧毁她的生活。
In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father's device begins to fail. Desperate to avoid facing his own traumatic reality, the man must venture outside to find a replacement, into a city where violence and danger lurk beneath a skim of beautiful illusion.
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster