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利刃出鞘2
丹尼尔·克雷格,爱德华·诺顿,加奈儿·梦奈,凯瑟琳·哈恩,小莱斯利·奥多姆,凯特·哈德森,戴夫·巴蒂斯塔,杰西卡·亨维克,玛德琳·克莱因,诺阿·西甘,杰姬·霍夫曼,达拉斯·罗伯特斯,伊桑·霍克,休·格兰特,史蒂芬·桑德海姆,安吉拉·兰斯伯瑞,娜塔莎·雷昂,卡里姆·阿卜杜尔-贾巴尔,塞蕾娜·威廉姆斯,马友友,约瑟夫·高登-莱维特,丹·查里顿,艾迪·戈罗杰茨基,亚当·达文波特,詹姆斯·佩顿,杰克·塔珀科技业亿万富翁迈尔斯·布朗(爱德华·诺顿 饰)邀了几位感情深厚的挚友到他的希腊私人小岛渡假,不料却有人命丧于此!这座世外桃源原来并不如想像中美好。命案既出,大侦探布兰科(丹尼尔·克雷格饰)此时不出马更待何时?且看他如何解开重重谜团!
鬼影实录:东京之夜
中村苍,青山伦子位于东京的某区,山野一家三口过着富庶自在的生活。2010年9月3日,姐姐春花(青山伦子 饰)从美国归来,此前她在旅行中遭遇一场车祸,致令双腿严重骨折。弟弟幸一(中村苍 饰)是个开朗阳光的大男孩,他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙,平时只有姐弟二人在家。平静的日子并未持续太久,一丝不安便在屋子内肆意弥漫。春花发现,每当次日醒来床边的轮椅便会发生移动。为了探明真相,幸一决定在姐姐的卧房内安置摄像机,监控夜晚的情况。在屏幕前,不可思议的景象接连发生,姐弟俩似乎也陷入恶魔的诅咒中,无法逃脱…… 本片为恐怖片《鬼影实录》的日本版。
潇洒先生
郑则仕,关之琳,戚美珍,张国强,楼南光,柏安妮,焦姣,成奎安,陆剑明,曹建南,龙天生,刘锡贤,叶伟信,劳剑华,黄一飞,许英秀,刘玉婷,许思敏,陈颖芝 ,黄雄潇洒是一个船员,整天在海上漂泊,一去就是几个月,他的妈妈和小妹阿珍都很担心他。一天,潇洒回到家,妹妹非常惊喜,可是他的妈妈并不开心,觉得他没有出息。潇洒很是委屈,于是借酒消愁。阿珍和她的妈妈靠开小店为生,每天,早晨都有很多出租司机来照顾她们的生意,其中有一位司机阿光对阿珍有意思,经常来帮助她们。一天,政府通知他们,房子半年后要撤,但是他们一时又拿不出钱去买新的房子,为了筹钱,于是一家人在阿光的帮助……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
草迷宫恐怖杀人事件
Joem Bascon,吉莉安·维森乔,Kristof Garcia一处废弃草丛,发生一系列诡异的杀人魔连环杀人事件,让警探阿邦(琼姆芭丝康饰演)展开调查。某夜,他们遇到乔伊丝(吉莲维琴西奥饰演)与她的一群朋友,扬言要在这片草丛中上哀悼惨遭杀害的亲友,实际上她们也是为了调查这一连串真相,而来到了这片草丛。两边人马开始在草丛中搜寻,竟意外发现杀人魔可能并非人类,更像是神秘的超自然力量;而另一位神秘人物史蒂芬(克里斯多夫加西亚饰演),则掌握着这个超自然杀手魔的关键真相…。
青空在上,身在山谷
Michal Zachensky,Eva Mores,Jana Olhová,Adam Suniar,Attila Mokos本片是斯洛伐克导演卡塔琳娜·格拉玛托娃的长片首作,带有半自传色彩。15岁的少年埃诺和祖母在乌特奇卡的村子里过暑假,他喜欢摩托,无心学业,每天和村子里的男孩们混在一起。埃诺十分崇拜在外工作的母亲,内心希望能和她一起生活,但随着村子里流言四起,埃诺渐渐发现,母亲并不如想象中那样善良,而成长也总是伴随着痛苦和挣扎。
河流如血
泰雅·迪格斯,约翰·库萨克,乔治·洛佩兹,卢克·海姆斯沃斯,Gianni Capaldi,布莱恩娜·伊维根,RJ·米特,Steven Berrebi,贾克琳·弗莱明,陶竤,伊薇特·帕里什The son of an African-American Judge is killed by police officers on the day he was set to begin law enforcement academy. When the courts clear the officers of wrongdoing, the Judge must decide whether the courts are the only arbitrators of justice.