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九龙大众浪漫真人版
吉冈里帆,水上恒司,龙星凉,柳俊太郎,梅泽美波,花濑琴音 ,フィガロ・ツェン,山中崇,サヘル・ローズ,关口曼迪,岛田久作本片改编自同名漫画，讲述了在充满怀旧气息的街道·九龙的不动产公司工作的鲸井令子和她心仪的职场前辈·工藤发之间交织而成的悬疑爱情罗曼史。故事由令子偶然发现一张照片，得知工藤过去有个和自己长得一模一样的未婚妻开始...
惊蛰无声
易烊千玺,朱一龙,宋佳,雷佳音,杨幂,张译,刘诗诗,刘耀文,林博洋,潘斌龙,姚安娜,段奕宏,陈明昊,江奇霖,王圣迪,黄炎,飞凡你看不见的地方，谍战从未停止交锋！我国最新战机的涉密信息外泄，国家安全面临威胁，国安小组迅速行动抓捕间谍，在信任与背叛的漩涡中，一场惊心博弈悄然上演……
弗兰肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato在弗兰肯斯坦怪物结婚的那天，村民们暴动并杀死了他。他的新娘逃跑了，发誓要报复负责的市民，并最终复活了怪物——在她身后留下了血迹。
乱马OVA特别篇无差别格斗对凤凰
山口胜平,林原惠美,日高范子,高山南,井上喜久子脑子缺根弦儿的九能带刀（鈴置洋孝 饰）路过邪马台古董店，在店内看到了极为珍贵的凤凰蛋。传说只要拥有这枚蛋，便可领会到威力无比的魔剑凤凰剑。为了打败宿敌乱马（山口勝平 饰），成为至高无上的强者，九能强买下凤凰蛋。不过店主（北村弘一 饰）叮嘱，无论如何千万不能将蛋放在头顶，否则将由可怕的事情发生。不幸的是，乱马无意中将蛋放在了九能的头上，一只长相奇怪的鸟儿诞生了。它帮助九能成为足以打败任何对手的强者。争强好胜的乱马无论如何都要挽回面子……本片根据高桥留美子的漫画《乱马1/2》改编，系该动画的剧场版第3部。
残酷的夏日
翟乃社,曲国强,邬倩倩,张嘉益诸家老太有两个儿子梦龙和梦飞，以及一个养孙国荣。16年前，一伙以张振邦为首的歹徒为了报复诸老太在公安局工作的丈夫，欲把梦龙和梦飞活埋，国荣的父亲得知后，救出了兄弟俩，自己却被烧死，诸老太为了报恩，收养了国荣，并且对他十分疼爱。不想，16年后的今天，国荣却陷入了张的贩毒集团。梦龙出于对国荣的爱护，在知道国荣贩毒后，私下包庇他。在公安局工作的梦飞在缉拿国荣的过程中，国荣因拒捕被击毙，梦龙被梦飞带上了手铐。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster