女演员：爱爱课程

教皇行动

小倩2024

影片改编自蒲松龄《聊斋志异》之《聂小倩》。小倩生前被人所负含恨而终，死后化为女鬼，被姥姥囚禁于兰若寺。恰逢书生宁生进京赶考，借宿此地，意外救下小倩。逃亡途中，两人不断遭遇人间及地府势力的阻挠，却也在此般经历中感情升温。宁生带着小倩感受了人间美好，小倩决心还阳，却在到达鬼市后发现事情远没有这么简单……

可怖之事

 故事发生在中世纪的英格兰，安妮和她专横跋扈的婆婆莫温在社会边缘挣扎求生。然而，当安妮过去的一位故人从战场归来，一位神秘骑士的出现似乎预示着诅咒的降临，并威胁着她们所有人的命运。

危境交战

　　危险且不可预测的任务！在这饱受战争蹂躏的国家，他能否改变现状？　　麦可福斯特曾是一名士兵，后来成为承包商，他和他的团队发现自己在一个与内战残余和秘密犯罪分子作斗争的国家中执行着一项危险的任务…

狼嚎2023

這是一部只有背景音樂寫實的粗獷毫不妥協且極具風格的獨立無聲藝術電影，描述在美國式的自由民主制度下所誕生的黑社會陰暗面、地痞流氓、吸食毒品、色情、謀殺、販賣軍火等，改編自古希臘荷馬史詩中的人物故事。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.