蜜桃成熟时之三人同眠
《蜜桃成熟时2005之三人同眠》是由未详2005导演的香港电影，演员，童宁 林豪等…艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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困在时间里的父亲
安东尼·霍普金斯,奥利维娅·科尔曼,马克·加蒂斯,奥莉维亚·威廉姆斯,伊莫琴·普茨,卢夫斯·塞维尔,阿耶莎·达尔克,罗曼·泽勒,雷·伯内特,阿德南·昆迪,斯科特·穆林斯,布赖恩·罗杰,艾薇·维影片以重复加碎片式的感官叙事手法，讲述了年迈且身患疾病的安东尼（安东尼·霍普金斯 Anthony Hopkins 饰）正在面临一项艰难的人生选择——是搬到养老院还是接受女儿寻找的新护工。在这个过程中，安东尼发现自己仿佛进入了一场奇怪的时空之旅，错乱的记忆和时间线交织出一段段匪夷所思的故事，而一个个陌生又熟悉的人也让他陷入迷茫。影片根据法国小说家兼剧作家佛罗莱恩·泽勒的舞台剧《父亲》改编。
A面B面
陈晓东,张静初,芙蓉姐姐,袁文康,孔维,邓家佳,任泉,王洛勇 Luoyong Wang教授“精神心理卫生”的陈聪明（王洛勇 饰）在评定教授职称的课上口出惊人之语，校长再也无法容忍这位行为疯癫的老师，于是后者进入一家惟利是图的精神病院暂时栖身。在这家医院工作的梁海潮（袁文康 饰）难以忘记前妻柳悦（张静初 饰），经陈聪明开导，梁海潮决定把前妻从开补药店的萧春雷（陈晓东 饰）那里夺回来。此时，日日与补药作伴的柳悦在工作时崩溃，也被送入精神病院，在陈聪明帮助下，梁海潮将柳悦救出，而萧春雷将柳悦的药吃下导致情绪失控，被精神病院关押。梁海潮认为夺回前妻的时机已到，而陈聪明则开始想法帮助受害的萧春雷……
荣归1978
简·方达,乔恩·沃伊特,布鲁斯·邓恩,佩内洛普·米尔福,罗伯特·卡拉丁,罗伯特·金蒂,凯瑟琳·米勒战争结束了，但留下的悲剧从来都不会就此断绝。在位于美国加州的一家伤兵医院里，卢克（强·沃特 Jon Voight 饰）痛苦的躺在病床上。战争彻底的夺走了他剩余人生里的幸福和自由，半身不遂的他注定再也享受不到生为一个正常人的快乐了。因为种种，卢克每天都生活在抑郁和愤怒之中。莎莉（简·方达 Jane Fonda 饰）的丈夫鲍勃（布鲁斯·邓恩 Bruce Dern 饰）是一名军官。身为军官之妻，莎莉有义务对在战争中遭难的军人们进行安抚。就这样，莎莉邂逅了卢克，并且在时间的推移之中深深的爱上了他。为了给予卢克继续活下去的希望，她不惜用自己的身体去引诱卢克。
紫禁城
刘亚西,恩里科·博雷洛,萨布丽娜·费里利,马可·贾利尼,卢卡·津加雷蒂,淳于珊珊In the suburbs of Rome two very different souls intersect. One is the son of a restaurant owner who disappeared with his lover. The other is a young mysterious woman who has arrived from China in search of her missing sister.
母亲2020
长泽雅美,奥平大兼,阿部隆史,郡司翔,夏帆,皆川猿时,仲野太贺,木野花,土村芳,荒卷全纪,大西信满,浅田芭路本片是根据实际发生的「少年杀害了祖父母事件」的构思而改编成电影的崭新故事。长泽扮演懒散奔放的母亲·秋子，挑战堕入了社会黑暗面的女人，而阿部サダヲ则饰演与秋子没有结婚登记而同居的丈夫·遼，影片将重点刻画秋子和她年幼的儿子·周平（郡司翔）之间所展开的关系。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.