痴情奇女子
女工陆小芬偶遇青年赵树海，不久之后俩人产生火花就同居在一起，然而，赵树海一心飞黄腾达，想和老板的女儿画家张富美，攀上高枝头，陆小芬为其堕胎，为了等夜归的树海，险遭流氓阿飞强暴，树海说是公司开会，其实想尽办法接近某富美，博得其欢心。陆小芬向富美摊牌，逼宫，树海怕鸡飞蛋又打，和小芬又是一夜软语温存，转脸就又向富美苦苦解释。树海觉得小芬是他路上的绊脚石，动了杀念....艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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剧情提要
女工陆小芬偶遇青年赵树海，不久之后俩人产生火花就同居在一起，然而，赵树海一心飞黄腾达，想和老板的女儿画家张富美，攀上高枝头，陆小芬为其堕胎，为了等夜归的树海，险遭流氓阿飞强暴，树海说是公司开会，其实想尽办法接近某富美，博得其欢心。陆小芬向富美摊牌，逼宫，树海怕鸡飞蛋又打，和小芬又是一夜软语温存，转脸就又向富美苦苦解释。树海觉得小芬是他路上的绊脚石，动了杀念....艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
暗夜精选
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can Sevimli跨国银行
克里夫·欧文,娜奥米·沃茨,阿明·缪勒-斯塔尔,乌尔里奇·汤姆森,布莱恩·F·奥博恩雪中的女孩
加拉泰亚·贝露琪,马蒂厄·卢奇,塞缪尔·基尔舍,Oscar Pons,谢里夫·安杜拉,Amid Bouselahane,Marisa Ronchail,Annie Souche,André Borel,Léna Camillieri Dorléans,Solal Griveau Martin,Lula Guaydan,Greta Saggiorato,Tom Pezier,Amélie Griveau,Domitille Bruneton,Marie Trouvé,Léa Caro,Ludovico Le成人生活技能
朱迪·惠特克,爱德华·霍格,爱丽丝·洛维,布雷特·戈尔茨坦,Rachael Deering,洛琳·艾什本,伊莲恩·戴维斯杀的就是你
莎姬·贝兹,汤姆·费尔顿,帕特丽夏·阿奎特,海瑟·格拉汉姆,米哈拉·赫罗德,佩特逊·约瑟夫,阿曼多·里维拉,达伦-迈耶,克里斯·范·伦斯堡,盖布·加布里埃尔,梅根·亚历山大朝圣
柳西亚·加西亚,米奇·马丁,特里斯坦·乌罗阿,何塞·安赫尔·艾力格,莎拉·卡萨斯诺瓦斯,米丽亚姆·加列戈,珍妮特·诺瓦斯,席琳·蒂尔,米奇·罗布莱斯,塞尔吉奥·昆塔纳,大卫·萨拉伊瓦秒速5厘米真人版
松村北斗,高畑充希,森七菜,青木柚,上田悠斗,白山乃爱,木龙麻生,宫崎葵,吉冈秀隆,冈部敬史,中田青渚,田村健太郎,户塚纯贵,莲见翔,又吉直树,堀内敬子,佐藤绯美,白本彩奈幕后花絮
三国的星空第一部
东汉末年，天下大乱。曹操讨董卓、迎天子、战官渡，成为一代英豪，与袁绍和刘协等人一起用选择和行动回答了“我从哪里来？我的使命是什么？我是天上哪颗星？”
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.