已婚女人用屁股勾引隔壁男人
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan隔壁的男人无法抗拒拥有迷人臀部的步美的诱惑，并与她开始了一段充满激情的关系
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雉岳山
尹均相,金叡园,延济旭,裴格林Five members of the mountain bike club, Sangaja. To ride a mountain bike, we head to Chiaksan Mountain, where Min-joon's Uncle villa is located. After arriving at Chiaksan Mountain and enjoying the ride, strange things began to happen to the party…. And something unidentified chasing them! A desperate survival game for Sangaja's party to survive on Chiaksan Mountain begins.
近战
杜夫·龙格尔,吉娜·梅,迈克尔·帕尔,巴沙尔·拉海尔,詹姆斯·查尔克身陷囹圄的特种兵麦克（杜夫·龙格尔 Dolph Lundgren 饰）终于迎来了被保释的那一天，然而，令麦克没有想到的是，保释他的不是别人，居然是美国大使馆的官员克莱夫（迈克尔·帕尔 Michael Paré 饰）。原来，有一项充满了危险和变数的任务摆在眼前，而身经百战经验丰富的麦克则是这项任务最合适的执行者。 根据提示，麦克需要去营救一位名叫安娜（吉娜·玛丽 Gina Marie 饰）的女子，安娜遭到了武装绑架，有可能被敌方洗了脑。而当麦克找到安娜时，安娜却告诉麦克她被绑架一说是子虚乌有，而麦克要将她带走的行为才是真正的绑架。安娜和克莱夫之间，一定有一个人在说谎，没过多久，陷入了困惑之中麦克就发现，他和安娜已经成为了众矢之的。
洛奇
西尔维斯特·史泰龙,塔莉娅·夏尔,伯特·杨,卡尔·韦瑟斯,布吉斯·梅迪斯洛基•巴尔博厄(西尔维斯特•史泰龙 Sylvester Stallone 饰)是费城的过气拳击手。他空有拳击热忱，却只混杂于三流拳击赛中。一天，他对售货员艾黛丽安（塔里亚•希雷Talia Shire 饰）一见倾心，虽然这个姑娘长相一般，性格内向，却毫不阻碍洛奇对她爱得炽热。爱情得意，事业也开始一路畅通。为了庆祝美国建国200周年，当地举办了一个拳击比赛，胜出者将获得15万美元的高额奖金。美国一个拳击巨星在比赛中受了伤，主办方选中了洛奇去上演一场“灰姑娘”式的比赛，大敌当前的同时，也是洛奇事业转机、大显身手的良机。洛奇在赛场上苦撑15回合，在面肿血流之际，会不会有奇迹的发生？
判妖邪
韩栋,赵黛溪,都桂宇,刘旭,宋海颉残唐乱世，瘟疫横行，传言妖女吴双化为邪祟祸害人间。然而，吴双的哥哥不良人吴令，从不相信自己善良的妹妹会是所谓妖女，他决心以缝尸还魂的秘术，复活被斩首的妹妹，在暗影涌动的瘟神庙中，设下诡局，审判真正的恶人，求一份清白与公道。 影片根据短篇小说《古庙夜谭》改编。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
正面还是反面？
娜迪亚·特列什科维奇,亚历桑德罗·博尔吉,约翰·C·赖利,皮特·蓝萨尼,米尔科·阿图索,加布里埃莱·西里,吉昂尼·嘉科,罗伯特·阿兰·帕卡德,乔吉欧·曼涅提,萨蒂·勒泼因特,费德里科·阿克罗尼,伊曼努埃拉·奥纳吉,布鲁诺·迪·吉奥瓦尼,塞弗里诺·斯佩兰迪欧,杜门尼克·奇奥兹,薇欧拉·索尔达尼,克劳狄欧·卡斯托利20世纪初，在一场致命的牛仔竞技后，罗莎与她的情人踏上逃亡之路，穿越意大利荒野，试图摆脱追捕。他们的身后，是传奇人物“水牛比尔”——他不仅是追踪者，更是掌控故事的人。他拒绝改写自己版本的真相，而罗莎的命运也因此被卷入一段被掩盖的往事。随着旅程深入，逃亡逐渐演变为一场关于身份、记忆与叙事权的较量。在现实与传说交织的边界上，罗莎必须决定是否继续逃避，或重新掌握属于自己的故事。