性在有骨戏
这部电影的视角比较独特，它以一种“职业报告”或“社会调查”的方式，讲述了不同行业的人在面对“性”与“工作”冲突时的种种荒诞经历：核心剧情：故事由几个小短篇组成，围绕着职场中的诱惑展开。其中包括摄影师、推销员以及公司白领等职业。影片通过这些小故事，探讨了在现代大都市背景下，职业压力如何扭曲人的欲望，以及人们如何利用“性”作为职场晋升或解决问题的工具。风格特点：喜剧成分：电影带有 90 年代港片特有的“无厘头”和“咸湿”幽默，看起来并不压抑，反而有很多笑点。职场讽刺：它对当时香港办公室内斗、权色交易有很辛辣的描写。
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详细简介
热门影视 大家都在看
富贵逼人来
彼得·塞勒斯,雪莉·麦克雷恩,茂文·道格拉斯,杰克·沃登,理查德·贝斯哈特没问题2021
梁龙,徐洁儿,范帅琦,贾天明,王宏伟,迟志强,邹德江,丁鹤,黄靖芯,谢昀杉,大兵遇事别冲动
鹿超,宋杰,宋媛迈克尔·杰克逊：巨星之路
贾法尔·杰克逊,尼娅·朗,劳拉·哈里尔,朱利亚诺·瓦尔迪,迈尔斯·特勒,科尔曼·多明戈,乔·吉列特,卡特琳娜·格兰厄姆,拉伦兹·泰特,德里克·卢克,杰西卡·苏拉,汉克·诺思罗普,肯德里克·桑普森,约瑟夫·戴维-琼斯,内森尼尔·洛根·麦金太尔,凯林·多瑞尔·琼斯,迈卡·麦克尼尔,莫妮克·林赛,奥利维娅·塔卡格什,凯蒂·凯总统班底
达斯汀·霍夫曼,罗伯特·雷德福,杰克·沃登,马丁·鲍尔萨姆,哈尔·霍尔布鲁克,F·默里·亚伯拉罕,简·亚历山大,杰森·罗巴兹寒战1994
吴彦祖,刘俊谦,吴慷仁,谢君豪,王丹妮,廖子妤,艾丹·吉伦,休·博纳维尔,周润发,郭富城,梁家辉,古天乐,元彪,叶童,陈以文,莫文蔚,周文健,陈家乐,白只,彭敬慈,朱鉴然,谭旻萱,何启华,杨乐文,邱士缙,魏浚笙,林嘉华,太保,杨天宇,高海宁,郑则仕,张可坚,麦沛东,陈湛文,陈伟雄,张达伦,栢天男,林家熙同类推荐
圣山1973
亚历桑德罗·佐杜洛夫斯基,霍拉西奥·萨利纳斯,Zamira Saunders,胡安·费拉拉,阿德里安娜·佩奇 ,Burt Kleiner,Valerie Jodorowsky,Nicky Nichols,理查德·鲁托夫斯基,Luis Lomelí,Ana De Sade,Chucho-Chucho,Letícia Robles,Connie De La Mora,David Kapralik,Jacqueline Voltaire,José Antonio Alcaraz,赫克托・奥尔特加,阿丽尔·朵巴丝一位貌似耶稣的小偷（Horácio Salinas 饰）从儿童们的石块击打中醒来，与一个无手无脚的侏儒结伴进入城市。城中正进行一场疯狂的庆典，一些人被杀死，鸟雀从他们的枪口中飞出，大量蟾蜍穿着印第安人以及欧洲殖民者的服装在混战中被炸的粉碎。小偷从几个罗马士兵打扮的人手中接过十字架，又被他们将自身的形象制造成无数模型……小偷在众目睽睽下爬上了一座能生产黄金的高塔，塔内的术士从小偷的粪便中提炼出了金子。术士用占星术确认了几位门徒，他们是生产面具的商人、武器商、艺术家、玩具商、政府顾问、军队长官和建筑师，七人分别代表不同的行星。术士把这些掌控国家的人物积聚一起，抛弃一切之后向传说中的圣山进发寻找不朽的秘密。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
河童之子
本·麦肯锡,博亚娜·诺瓦科维奇,索耶·琼斯,马尔科姆·富勒,小杉健,Ethan Herschenfeld,阿莎·埃奇森,大卫·吉布森,Rebecca Nelson,詹姆斯·亚当·林,横田実优,大卫·莱文,Larry Bull,Jeff Applegate,秋野松明,扎克·新里影片讲述了一位母亲和两个儿子在日本度假的故事。他们的小儿子差点淹死在湖里，事故发生后不久，父母意识到他们的儿子出了问题。
看不见的他们
和佳蓉,毛凡,陈晓霞,孙盈艺,苏俊宇一场车祸后，林月家里怪事连连，全身冰冷的姐姐，镜子里看不见家人的身影，黑夜里爸爸窥探的双眼，每天凌晨阁楼传来的弹珠声，林月循声而上，当阁楼的门被打开，却发现里面紧锁的却是自己的遗像……
贞子大战碟仙
黄焱明,赵紫彤影片主打悬疑惊悚，将中日鬼神文化脑洞大开的融合在一起，两股势力的对战让影片过程惊喜不断。高颜值与精良的制作让这部电影成为难得的网络大电影佳品。 影片破天荒的将贞子与碟仙两个角色设置成为撕逼对抗，增添了影片的可看性。人性化的处理、悬疑的升级、科学合理的解释和恰到好处的惊悚效果，让影片回归到了十分理性的逻辑上。主演们均是养眼的俊男靓女搭配，身着统一的校园制服清新亮丽，让一些男性观众对《贞子大战碟仙》无可挑剔