伊波拉病毒
1986年，底层小人物阿鸡（黄秋生）做掉大佬及其老婆后逃离香港来到南非约翰内斯堡，被开有一家中餐馆的旧友阿坚（罗莽）收艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。10年过去，阿鸡依旧是拿最低薪水却干最多活计的杂工，加上常被阿坚老婆欺负、找不到女人解决性欲，他的生活非常压抑。阿坚不想从善欺黄种人的白人手里花高价购买餐馆所需的食材，和阿鸡驱车来到土著黑人开的异常恐怖的市场，回返时两人因逃避猛兽追击令汽车熄火，阿鸡得空竟奸杀一名昏迷的女黑人，感染异常恐怖的伊波拉病毒（可通过血液、精液、唾液等传播），但他因体内有该病毒的抗体没有死去。其后，阿鸡将从他身上将该病毒感染的阿坚夫妇惨杀、用他们的肉做成美味汉堡，更携该病毒来到香港欲与昔日女友阿霞（陈妙瑛）重修旧好。
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剧情简介
1986年，底层小人物阿鸡（黄秋生）做掉大佬及其老婆后逃离香港来到南非约翰内斯堡，被开有一家中餐馆的旧友阿坚（罗莽）收艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。10年过去，阿鸡依旧是拿最低薪水却干最多活计的杂工，加上常被阿坚老婆欺负、找不到女人解决性欲，他的生活非常压抑。阿坚不想从善欺黄种人的白人手里花高价购买餐馆所需的食材，和阿鸡驱车来到土著黑人开的异常恐怖的市场，回返时两人因逃避猛兽追击令汽车熄火，阿鸡得空竟奸杀一名昏迷的女黑人，感染异常恐怖的伊波拉病毒（可通过血液、精液、唾液等传播），但他因体内有该病毒的抗体没有死去。其后，阿鸡将从他身上将该病毒感染的阿坚夫妇惨杀、用他们的肉做成美味汉堡，更携该病毒来到香港欲与昔日女友阿霞（陈妙瑛）重修旧好。
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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