剧情纵览
性格耿直的武男,明知妻子明美與上司出軌,但為了心愛的女兒,卻還是裝作毫不知情的過日子。某日,遭遇車禍事故的武男,在病房內清醒的瞬間,驚見護士的容貌與親近的同事裕子極為相似,並對她產生移情作用……
性格耿直的武男,明知妻子明美與上司出軌,但為了心愛的女兒,卻還是裝作毫不知情的過日子。某日,遭遇車禍事故的武男,在病房內清醒的瞬間,驚見護士的容貌與親近的同事裕子極為相似,並對她產生移情作用……
A small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
艾莉莎搬进了圣彼得堡一间宽敞的公寓,公寓里的镜子却开始出现故障。它向这位年轻的房客展现了同一个公寓的平行世界,只不过,在这个平行世界里生活的不是艾丽莎,而是和她抢这间公寓的派对狂人伊万。这两位年轻人能否认清真爱?他们又能否让两个世界相连,在现实中相遇,只为简单地触碰彼此?
影片通过跨越数千年、不同时空的三条故事线,交织出无形之中彼此呼应的科幻寓言。