卿本佳人
罗艳卿在一雷雨夜，独自留在公司超时工作，突被同事佐治施暴，其间竟把罗艳卿错手杀死，佐治为罗艳卿失踪后引起议论忐忑不安，在夜总会借酒消愁，巧遇一舞女雯雯与罗艳卿十分相似，即利诱她乔装罗艳卿身份。雯雯被仇家吴超等人拦途报复，幸得林嘉星相救顿生好感。林嘉星原来是雯雯公司的行政总裁，雯雯以罗艳卿的身份亲近林嘉星，后雯雯的身份被悉破，只好重披舞衣，后林嘉星安排一切，向雯雯求婚，她欣然答应，一同步上幸福之路海外影视
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失认症
爱德华多·诺列加,巴巴拉·戈纳加,费利克斯·戈麦斯19世纪末的西班牙巴塞罗那，阿图尔·普拉特（塞尔吉·马特乌 Sergi Mateu 饰）经营着慈父望远镜行，他事业有成，家境富裕，但是爱女乔安娜（芭芭拉·格娜加 Bárbara Goenaga 饰）因出生时患有脑炎，因此自幼罹患了一种极为罕见的病症——失认症（agnosia）。这种病症让她在身体各个感官都健全的情况下，无法顺利地认知周遭的人与物。 阿图尔长久以来都在努力寻找治好女儿的办法，而他所掌握的商业机密也都成为同行乃至合作伙伴急欲得到的珍宝。父亲临终之际，将商业机密托付给了乔安娜。与此同时，爱情与诱惑接连降临，而在这份看似浪漫的追求背后，利欲熏心的人们用无情卑鄙的手段伤害着无助的乔安娜……
孤雁2026
康磊,李欣颖,宋禹1935年上海中共地下组织遭国民党特务重创，绝密档案危在旦夕。地下党员徐峰、李静临危受命与叛徒、特务展开生死周旋，更要面对昔日兄弟反目的仇怨，历经重重牺牲与考验，最终成功取回绝密档案，完成革命使命。
恶魔在上
丹尼尔·尤因,蒂姆·波考克,Sophie Don,杰西卡·格林,Ben Chisholm,Emily Joy,James Straiton,费利克斯·威廉森,约翰·雷诺兹Two estranged brothers come together and discover old family secrets after inheriting their grandfather's property. As their friends start to go missing, they fear they are being stalked by a creature lurking in the shadows.
维克多·弗兰肯斯坦
詹姆斯·麦卡沃伊,丹尼尔·雷德克里夫,杰西卡·布朗·芬德利,安德鲁·斯科特,马克·加蒂斯,露易丝·布瑞丽,丹尼尔·梅斯,弗莱迪·福克斯,布隆森·韦伯,埃利斯戴尔·皮特里,斯宾塞·怀尔丁,卡勒姆·特纳正驻扎于伦敦的马戏团内，生活着自幼驼背的青年（丹尼尔·雷德克里夫 Daniel Radcliffe 饰）。他的丑样子只能供人家取乐，而青年独独热爱医学，尤其擅长解剖学。在某次演出事故中，青年用自己的学识救下了摔成骨折命悬一线的女演员罗蕾莱（杰西卡·布朗·芬德利 Jessica Brown Findlay 饰）。他的学问得到疯狂科学家维克多·弗兰肯斯坦（詹姆斯·麦卡沃伊 James McAvoy 饰）的赏识，于是后者想方设法将其劫了出来，还为其起名伊戈尔。在此之前，弗兰肯斯坦曾经做出盗取动物园死亡动物尸体的事情，而他这一系列的做法只为进行一项疯狂大胆的实验，那就是缝缝补补创造出来人造的生物。 疯狂之旅就此展开……
谎言的岛屿
内瑞雅·巴德洛斯,达里奥·格兰迪内蒂,埃托尔·卢纳,Victoria Teijeiro,Ana Oca,米洛·塔波阿达,Leire Berrocal,Miguel Borines,赛尔索·布加诺,Mela Casal,María Costas,Roberto Leal,Sergio Quintana,Machi Salgado,Ana Santos故事发生在1921年的西班牙，一艘蒸汽船载着260名西班牙移民驶往美国，他们满心期待在那里能够开始他们崭新的人生。不幸的人，一场船难袭击了这群追梦者，他们所乘坐的蒸汽船载西班牙加利西亚海岸附近的一座小岛旁沉没了。幸运的是，岛上生活的三个女人发现了这批遇难者，她们热情的给予了帮助，最终，50名乘客得到了救助，保住了性命，这三个女人也因此名声远扬，被视为英雄。 一名阿根廷记者闻讯来到了这座小岛，想要将这件事情写成报道，可是，随着他调查的深入，记者发现很多事情都和他所听说的不符，不仅如此，他还开始怀疑，或许蒸汽船的沉没从一开始就不是一场意外。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.