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寒刀凛
刘峰超,张浩,尹键,肖琳扬明朝年间，锦衣卫陆钦因罪被发配充军，途中因缘际会，与樊英押送贪官张嵩回京指认通敌太监王公公。经过生死追逃，最终陆钦牺牲，张嵩抵京，却被王公公处死于监牢。多年后，王公公被樊英击杀，善恶终得报。
牛排
埃里克·朱多尔,朗齐·贝迪亚,乔纳森·朗贝尔,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什维特·兰黛斯科,Caroline Bernard,Steve BarryGeorge is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.
圣安地列斯地震
Jhey Castles,Jason Wood,格瑞思·范·迪恩Molly Dunn（Jhey Castles 饰）从小热爱地理，她曾在半夜做实验闹得家人不得安宁，但是她并不是一个十分幸运的孩子，父亲很早就死于一场地震灾害中。长大后Molly成为了一名地质学家，在一所大学教书，某天她正在做一项预测地震的试验，安放在各处的传感器数据显示即将会有一场大地震发生，她必须通知所有人撤离，但是她的力量实在太薄弱了，并没有人愿意听信她的预测，地震如期而至，她只有与时间赛跑，尽可能的拯救更多的人。
阿特罗皮亚
阿莉雅·肖卡特,克洛伊·伊斯特,查宁·塔图姆,科洛·塞维尼,简·利维,卡勒姆·特纳,蒂姆·海德克,吉尔·佩雷斯-亚伯拉罕,索尔·洛佩斯,托比·尼克尔斯,托尼·肖卡特,普莉希拉加里塔,吉尔伯托·奥尔蒂斯,Dash Melrose,沙霍莉·艾尔斯,理查德·布莱克蒙,阿里乌斯·巴恩斯,扎赫拉·阿尔祖拜迪,菲尔·伯格斯,肖恩·崔讲述了一位有抱负的女演员在模拟伊拉克战区的美国军事训练基地工作的故事。
机动战士高达闪光的哈萨维
小野贤章,上田丽奈,诹访部顺一,齐藤壮马,津田健次郎,石川由依,落合福嗣,武内骏辅,早见沙织,松冈美里,泽城千春,宫崎游,天崎滉平,绵贯龙之介,田中光,草野峻平,种崎敦美,新祐树,绫见有纪,鹫见昂大,尼古拉·法莱那泽,越后屋浩介,藤高智大,Volcano太田,川口启史,田村千惠,井川秀荣,吉富英治,木曾宽子,佐佐木祐介,吉田健司,高桥雏子,高桥大辅,泷村直树,福西胜也,佐伯美由纪,本多新也,木野日菜,内田绅一郎,樱冈敦子,地藏堂武大,川上洋平,矶部宽之,白井真辉,ASHLEY,JAMES,SAYAKA,山本作以哈萨维为主角，采取三部曲的形式，讲述“逆袭的夏亚”之后的故事。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.