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影片讲述“迷魂者”(易烊千玺 饰)通过体验视觉、听觉、味觉、嗅觉、触觉五感,跨越一个世纪的故事。而“大她者”(舒淇 饰)则好似是打开“迷魂者”故事的钥匙......
在将军德川家齐统治下的文政年间,老中水野忠成与水野忠邦在幕府内展开激烈的权力斗争。此时,携带名刀“无想正宗”的神秘浪人眠狂四郎(长谷川博己 饰)现身江户,并受忠邦的亲信之命,暗中刺杀刺客。被他斩杀的刺客颈上佩戴着象征基督信仰的念珠。随后,狂四郎将此物交还给刺客的妹妹静香,引发信徒与豪商备前屋的反击,双方为守护与暗杀而对立。另一方面,大目付松平主水正也奉忠成之命,派遣剑豪追杀狂四郎。权谋与信仰交织,一场错综复杂的生死之战即将展开。
时间转眼到达2127年,修老道又从地狱中走了出来,这一次,他发觉自个儿在外宇宙的一艘飞船上,原来这是Merchant博士的一个规划,他计划将地狱之门永恒的闭合.Merchant博士的祖辈,一个18百年的七巧板制作商,就是魔方的制作者.固然几个百年以往了,但Merchant一家始末为关闭地狱之门而尽力尽量.这一次,Merchant博士要在外宇宙将修老道彻底消泯……
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster