极乐租屋:房客好色
丈夫過世後,裕子一個人經營出租公寓。現在公寓裡住著四名房客,分別是:女大學生弘美,她每天努力投入啦啦隊的練習;以考上美術大學為第一志願,認真讀書的美由紀;曾經是不良少女,如今改邪歸正從事幫傭工作的里惠;以及萬年重考生尾崎。為了讓房客有舒適的居住環境,裕子每天都努力照顧四名房客,但其實公寓的經營極為慘淡,可說是入不敷出,在赤字連連的情況下,裕子甚至考慮要關門。寂寞的人妻裕子,甚至還對著亡夫的遺照自慰……
即刻观影
剧情赏析
编辑推荐
沼泽怪物1982
路易斯·乔丹,阿德里安娜·巴比欧,雷·怀斯一名科学家在实验中不小心沾到了一种具有快速成长特性的化学液体,不久,他就变成了半人半兽的水怪。这时,野心分子也想获得这种具有快速成长特性的化学液体的秘密公式,他们遂派员追杀持有科学家记事本的电子专家。后来他们发现了这名科学家的下落,终于在沼泽区这帮野心分子跟科学家变成的水怪展开了决斗。这是一部滑稽可笑的科幻动作片,水怪的化妆和服装都显得愚笨而不能入信,对白亦平淡乏味,整部影片露出了低成本制作的粗糙感
幻想游戏
久本雅美,板野友美,田中幸太朗,仙石南早见真纪子是在大型建筑承包商就职的精英女强人。早见专注工作,目前单身,但她其实是“深夜寻找内衣”的网站背后神秘的女神。她把贴身衣物藏在街道,给提示让人们去寻找。有一天,早见遇见了在公园露宿的葵。葵是网站“向丈夫复仇”上的一名颇有影响力的博主。她趁丈夫在外工作,秘密向丈夫复仇。在现代网络文化之下面对复杂的事件,两个女人关系渐渐密切。
独自赴死
凯瑞-安·莫斯,道格拉斯·史密斯,弗兰克·格里罗Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zombie-like outbreak to find his girlfriend.
我当你兄弟
文斯·沃恩,詹姆斯·麦斯登,艾莎·冈萨雷斯,凯斯·大卫,斯蒂芬·鲁特,吉米·塔特罗,埃米丽·汉普希尔,刘易斯·陈,本·施瓦茨,阿图罗·卡斯特罗,迪伦·普莱费尔,大卫·汤姆林森,保罗·程,凯特琳·贝肯,Sara Angelica,Mackenzee Cullen,Scott Cloney,德里克·詹姆斯·特拉普两个黑帮大佬和他心爱的女人,度过人生中最玩命的一夜求生战。一部“时光机”的出现,令这一夜瞬间变成时空错乱的闹剧……
超能力者
姜栋元,高修,郑恩彩从小,楚仁(姜东元 饰)就知道自己拥有能够控制人心的超能力,凡是被他的双眼所正视的人,无一例外的会被迷惑而任其摆布。靠着着神奇的超能力,楚仁得到了一切他想要得到的东西,但人性本就贪婪,个性乖僻的他依然没有感到满足,而是变本加厉的使用这能力干起了犯罪的勾当。 在一次偷窃行动中,楚仁和名为奎南(高修 饰)的男子相遇了。让楚仁感到震惊的是,这个外表平凡的男子居然没有受到自己的蛊惑,他不仅让行动遭遇了失败,还害自己错手杀死了无辜的人成为了通缉的对象。更让楚仁愤怒的是,不自量力的奎南居然对自己展开了调查。一场猫鼠之间的追逐正式拉开了序幕。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster