一家小餐馆的漂亮女主人

　　星际联盟收到探索飞船发出的求救信号后立刻派遣星际精英特种小组前去营救，由于机器故障飞船迫降到那个荒芜且怪异的星球上。不久后，船员在星球上发现了那艘废弃的飞船，但里面的飞行员都莫名其妙的死去，为了防止尸体异变，他们决定把尸体全部销毁。随后船员们发现了金字塔般的巨大建筑物，然而噩梦从此开始，他们释放了金字塔中所有的嗜血星际怪兽，星球瞬间被恐怖包围，丧尸怪兽一并向人们袭来，他们该如何挽救自己…… （此片精彩的没话说，星球大战般的场景加异型的特效以及著名的cult片演员们齐聚在一块所产生的名词是什么？那就是经典~！ 这部B级片的经典程度已经影响到未来科幻恐怖电影的发展前途，像黑洞表面之类的电影就是对其进行无耻的抄袭。影片甚至影响了*本成人动漫的一个类型，那就是触手系漫画~片中有经典的蠕虫强*金发奶霸的震撼镜头，这就是八十年代恐怖片的魅力……）　

　　A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　这部犯罪喜剧片讲述刚出狱的劫匪安可，联手因童年创伤分裂出失忆人格的弟弟曼弗雷德，共赴童年老宅掘地三尺——既要挖出当年埋藏的赃款，更欲掘开尘封记忆的潘多拉魔盒。