少年田劲的父母早年为了将西医带入藏地做出了无数的牺牲，由于无法适应高原的生活，田劲的妈妈带着尚在襁褓中的儿子返回内地，爸爸拉格巴则在高原继续着他的事业。数年过后，妈妈病故，无依无靠的田劲来到高原寻找爸爸，然而心中却藏着无数的怨恨。拉格巴终日忙碌行医，任凭儿子自行学习牧羊。某天，田劲遭到狗熊的威胁，幸亏一只金色的藏獒相助，后来更因种种机缘让他与这只名叫多吉的藏獒成为最亲密的朋友。与此同时，草原上出现了专门残害生灵的恶魔，牧民的平静生活被彻底打破……本片根据杨志军的小说《藏獒》改编，由中日两国联合制作，日本著名漫画家浦泽直树还担任了人设和导演的工作。

好像一切都很糟糕

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

继母的身体

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学园便利屋

忍者刺客49

死亡修女

捏造贝多芬

魔影袭人来

超时空猎杀

77号顶层公寓

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好像一切都很糟糕

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