失落女人之家
Desdemonalivesonanisolatedislandwithherstrangefamily:herfatherMario,herstepmotherDulcineaandhermentallychallengedsisterPaulova.Astheonlyinhabitantsontheislandlonelinessanddesolationengulfallmembersofherfamily.Desdemonatriestowardoffherboredombytakinglongwalksalongthebeachorengaginginactsofself-gratification.Sheoftentri.海外手机影院
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毁灭的发明
卢博尔·托科什,Arnost Navrátil,米罗斯拉夫·霍卢布,弗兰蒂泽克·斯列格尔,Václav Kyzlink,Jana Zatloukalová,休·唐斯,Frantisek Cerný,奥托·希曼内克,Václav Trégl诅咒：纳扎尔
Alp Aras,Elçin Atamgüç,Melike Balçik上海快车
玛琳·黛德丽,克里夫·布洛克,黄柳霜,华纳·欧兰德,尤金·佩里特,劳伦斯·格兰特,Louise Closser Hale,古斯塔夫·冯·赛费蒂茨,埃米尔·肖塔尔,George Blagoi,李奥纳多·凯瑞,George Chung,Wong Chung,Jack Deery,赫伯特·埃文斯,冯威利,福里斯特·哈维,Claude King,James B. Leong,Miki Morita,黄自强克莱默夫妇
达斯汀·霍夫曼,梅丽尔·斯特里普,简·亚历山大,贾斯汀·亨利,霍华德·达夫,乔治·科,乔贝兹·威廉姆斯,比尔·穆尔,豪兰·张伯伦,杰克·拉梅奇,杰斯·奥苏纳,尼古拉斯·霍曼,埃朗·帕克,谢尔比·布拉默,卡萝尔·纳德尔,唐纳德·甘特里,朱迪丝·考尔德,彼得·洛兹,凯瑟琳·凯勒,丹·蒂拉,彼得拉·金,梅利莎·莫雷尔末日逃生2：迁移
杰拉德·巴特勒,莫蕾娜·巴卡琳,罗曼·格里芬·戴维斯,苏菲·汤普森,艾波·罗丝·雷瓦,威廉·阿巴迪,托米·厄尔·詹金斯,斯荣德·福斯·奥瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亚历山大,西塞尔·西姆·科赫,吉安尼·卡尔切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亚·珀金斯,贡纳·贝西·比昂森,Gina Gangar我的老婆是女优
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银瀑
James Ralph,艾瑞克·阿瓦利 Erick Avari,史蒂夫·巴西奇 Steve Bacic,杰德·拉姆西 Jade Ramsey,詹姆斯·C·伯恩斯,妮基塔·拉姆西 Nikita Ramsey,Alix Gitter,Tadhg Kelly,塔拉·维斯特伍德,James CavloA small town is haunted by the twin daughters of a wrongfully convicted man. Young Jordan is sent down the path to who the real killer is only to find the killer is very close to her.
混凝土乌托邦
李炳宪,朴叙俊,朴宝英,金善映,朴持厚,罗哲,金度允,南镇福,金学善,朴周勇该片以大地震后荒废的首尔为背景，讲述聚集在此地唯一剩下的“皇宫公寓”里的生存者们的故事。
无形杀机
Salvatore Samperi,Artom Simin,贾梅卡·沃恩,阿梅丽娅·康威,Aaron Scully,Sanjeev Mehra一位孤立的私家侦探被一位朋友说服，从躲藏处出来帮助找到她失踪的妹妹，让那些想让他的家人死去的人能够找到他。
蛛仙
孙艺宁,李砚,高广泽,潘严,刘锡明修行千年的寒魄彩蛛蛛儿受佛祖点化化为人形，化身猎妖人下凡，与甘露、芝草、长风携手除魔卫道。蛛儿对甘露情深，却因人妖殊途陷入痛苦。无虚掌门被妖力反噬企图夺其修为，蛛儿为救众人牺牲三千年道行灭魔，最终明白真情所在是芝草。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.