剧情纵览
"그둘의소문은그이상이였다!" 관아에쫓기는몸이된어우동은한마을에숨어들게되고그의옆집에는소문이자자한조선최고의대물변강쇠가살고있다.변강쇠와어우동은서로의정체를모른채지내게되고그러던어느날최고의대물과최고의색녀가하루밤을보내게되는데国外三级
"그둘의소문은그이상이였다!" 관아에쫓기는몸이된어우동은한마을에숨어들게되고그의옆집에는소문이자자한조선최고의대물변강쇠가살고있다.변강쇠와어우동은서로의정체를모른채지내게되고그러던어느날최고의대물과최고의색녀가하루밤을보내게되는데国外三级
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
1940年的伯明翰,在第二次世界大战的混乱中,汤米·谢尔比(基里安·墨菲 饰)从自我放逐中回归,直面着迄今为止最具破坏性的清算。家族和国家的未来岌岌可危,汤米必须面对自己心中的恶魔,并选择是直面它还是将其毁灭。
天降横财! ?一场现钞风暴正袭卷而来!银行抢匪驾车逃亡时遭遇龙卷风,车子撞毁,所有赃物都被卷入漏斗云中。两名科学家和一位健谈的网红救出了劫匪,并由此展开了一段滑稽的抢现钞之旅。
上海的退休工程师老汪与儿子有一个约定,每周六小汪会回父母家一次,顺便吃碗老汪拿手的菜肉馄饨。为了让儿子早点结婚生子,老汪在爱人素娟的启发下,决定自己去公园相亲角为儿子物色一名婚恋对象。在相亲角,老汪结识了老金、美琴、阿芳等人,自己也无意中卷入了一场始料未及的情感漩涡之中。