玉蒲团之淫行天下
未央生换上巨灵根阳具，并练成霸皇御女奇功，便找京城第一y-娃复艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。y-娃于青楼设下七天七夜的天下无双欲仙欲死的极乐生死阵，但也被未央生一一破解，y-娃更对未央生佩服不矣，愿追随未央生为奴为婢，只求一夕之雨露。 nbsp; 未央生名动京城，慕名者众，赛昆仑发觉这是一条财路，利用未央生的性技四处招摇，谋取暴利，大发横财。京城中的巨富黄金发的九姨太和未央生搞上，更疯狂地恋上未央生。发爷乃穷凶极恶之人，得悉此事，誓杀未央生。
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Donald Cerrone,凯利·林恩·莱特,Vincent E. McDaniel,布兰迪·罗德里克,Chris Maher一名被困在公寓里的年轻人，门外有一群恶魔，他必须找到一种方法度过夜晚，逃离213号公寓。
最美的岛屿
安娜·阿森西奥,娜塔莎·罗曼诺娃,卡普里切·贝内德蒂,阿米·谢斯,米丽亚姆·A·海曼,萨拉·葳瑟,尼古拉斯·图齐,拉瑞·凡斯登,安娜·迈,戴维·利特尔,娜塔莉亚·兹韦列娃,索里卡·沃尔夫,费内拉·A·丘多巴,布雷特·阿扎尔,奥若拉·汉姆巴赫,玢·罗宾斯,迈克尔·文森特本片根据真实事件改变. 俄罗斯美女露西亚娜入境纽约后, 濒于生活崩溃的边缘, 除了保姆的工作之外, 她还得担任另一份危险的工作: 脱光后, 与世界最具有毒性的蜘蛛共处一隅....
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特蕾莎修女
劳米·拉佩斯,西尔维娅·侯克斯,尼古拉·里斯坦诺夫斯基,Ekin Corapci,Marijke Pinoy,拉宾娜·米特威斯卡讲述特蕾莎修女一生中关键的7天，即她决定离开加尔各答的洛雷托·恩塔利修道院，创立自己的修道会的时期。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.