董事秘书安奈
欲望の塊と化した男たちに凌辱される、重役秘書?安奈の姿を過激なエロス?シーンを満載して描く。主演はグラビアやイメージビデオで活躍中の三枝実央艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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真人快打2
卡尔·厄本,阿德莱恩·鲁道夫,杰西卡·麦克娜美,约什·劳森,林路迪,麦卡德·布鲁克斯,塔蒂·加布里埃,刘易斯·陈,达蒙·海瑞曼,黄经汉,浅野忠信,乔·塔斯利姆,真田广之,马丁·福特,安娜·图·阮,朱利安·威克斯,戴斯蒙·詹,黄又亮,艾萨克·普瑞斯特,CJ·布隆菲尔德过气好莱坞演员强尼·凯奇（卡尔·厄本 饰）被意外选中，加入一场决定地球命运的真人快打。吉塔娜（阿德莱恩·鲁道夫 饰）、刀锋索尼娅（杰西卡·麦克娜美 饰）、卡诺（约什·劳森 饰）、刘康（林路迪 饰）、贾克斯（麦卡德·布鲁克斯 饰）、尚宗（黄经汉 饰）、雷电（浅野忠信 饰）、避寒（乔·塔斯利姆 饰）、蝎子（真田广之 饰）等角色也将各显身手，开启血浆狂飙的格斗厮杀。
疯狂舞蹈办公室
廉惠兰,崔成恩,崔乂园,朴浩山,白贤镇,安桐丘,尹善贤,申艺灿讲述了独自抚养女儿的公务员国熙相信完美主义是在世界上生存的唯一出路，命运般地遇到弗拉门戈舞而展开的故事。
恶人当道
姜皓文,廖子妤,凌文龙,叶童,尹扬明,苏天乐,张国强,张松枝,麦子乐,周祉君,赵伊祎,欧阳伟豪讲述一名已退隐的社团老大，因一群受收购重建问题被欺压的街坊而重出江湖的故事。
仿生人妻子
乔纳森·莱斯·梅耶斯,埃莱娜·康博里斯,多隆·贝尔,阿加·达什,Alix Villaret,Fletcher Donovan,莎拉·桑帕约,Rachelle Goulding,凯特琳·史崔克,C.J. Perry威廉丧妻后，从AI公司得到一位与亡妻样貌相同的仿生人，在人工智能开发的斗争中，一个神秘组织试图通过破坏仿生人的程序来让仿生人获得自由...
雾人前传
迈克尔·罗伯特·布兰登,迈克尔·穆内,迈克尔·穆内1978年，死亡峡谷。警官戴维•麦克阿里斯特（David Stanbra 饰）将杀人如麻、残酷血腥的雾人（Ben Gunther 饰）绳之于法，这个作恶多端的噩梦最终死在毒气室里。 时间回到现在，警长麦克阿里斯特（Robert Pine 饰）即将退休，他的儿子哈里斯（Michael Muhney 饰）则尾随父亲当上了警察。父子二人在六角餐馆用餐时，遭遇了在逃的赌场抢劫犯。双方展开对峙，年轻气盛的哈里斯引起大爆炸，两名劫匪劫持餐馆女招待玛雅（Mircea Monroe 饰）逃亡。在救援部队迟迟未到之时，戴维带着儿子展开谨慎的追踪。不过令双方始料未及的是，似乎有另一个神秘、恐怖的杀手将他们玩弄于鼓掌之中。邪恶的雾人精神不死，重返人间……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.