美丽小蜜桃3:探寻

0.7 播放:19万 更新:2026-05-28

aaa小蜜桃觉得人生甚是空虚,在同性恋医生的建议下,她出发前往三藩市,去寻找灵魂的启发,谁缺料陷入了疯狂的开放世界......

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剧情赏析

aaa小蜜桃觉得人生甚是空虚,在同性恋医生的建议下,她出发前往三藩市,去寻找灵魂的启发,谁缺料陷入了疯狂的开放世界......

编辑推荐

耿耿于怀

柯斯莫·贾维斯,里斯·曼尼恩,克拉斯·邦,安东尼娅·坎贝尔-休斯,艾萨克·赫斯利普,宝琳·赫顿,基思·麦克利恩,马克·奥哈洛伦,沙希·拉米,莱勒·罗迪,彼得·特兰,保罗·泰来克

 Hamish arrives on the soil of his mother’s birth; she is felt instantly. A shocking car accident rips him apart, shattering his clenched control. A beast broken, he finds himself lost in the world of his long deceased mother. Young teen Evan, also involved in the accident befriends Hamish.The tremors of want and love beneath the stifling soil push to the surface, as he is led by the vitality of the unbridled boy Evan. He experiences the electric eroticism of living, and danger. His rage accelerates to violence, and ultimately his vibrant release.

白天是阿波罗,晚上是雅典娜

吉泽姆·比尔根,梅利·杜泽恩利,巴里斯·戈内嫩,内拉·卡亚巴西,拉尔·曼苏尔,德尼斯·图尔卡利,塞伦·乌柴尔,埃兹吉·切利克

德芙尼(Defne)前往古老的地中海城市西戴(Side),在那里遇到了一位革命者、一个妓女、一位女祭司以及其他神秘人物。在他们的指引下,她开始寻找抛弃她的母亲。这部由充满潜力的女导演艾米妮·耶尔迪勒姆(Emine Yildirim)执导的处女作,以西戴为背景。西戴是古希腊的一个殖民地,曾是位于今日安塔利亚附近的繁荣港口城市。电影《日为阿波罗,夜为雅典娜》标题中的两位希腊神祇分别是理性之神太阳神阿波罗和智慧、手工艺及战争女神雅典娜。这部影片是一部充满奇幻色彩的剧情片,讲述了女性与男性、生者与死者的故事。

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

惑星大战争

宫内洋,平田昭彦,冲雅也,森田健作,浅野优子,池部良

  西暦1988年。人類は謎のUFO群の襲来により危機に瀕していた。人類の存亡をかけ、南海の秘密基地で建造されていた国連宇宙防衛艦・轟天は発進する。侵略者の正体は、太陽系から2万2千光年離れたメシエ13と呼ばれる球状星団・恒星ヨミの第三惑星人だった。彼らは年老いた母星そっくりの地球を征服すべく、指揮官ヘルのもとに金星に侵略の前線基地を築いていた。敵ヘルファイターとの激しい戦闘をくり返し、金星に向かう轟天。しかし、その前に敵の超努級戦艦・大魔艦が立ちふさがる……。

“骑”逢对手

那馨,李梦男,任悦鸣,庞统,闫震宁,陈家葆

  影片讲述善良的外卖骑手刘大鹏偶然救了一位富翁,对富翁千金马小芸一见倾心,而马小芸正陷入一场险恶圈套中,刘大鹏挺身而出,帮助马小芸战胜邪恶的故事。

新咒怨(美版)

安德丽娅·赖斯伯勒,德米安·比齐尔,约翰·赵,林·沙烨,贝蒂·吉尔平,威廉·赛德勒,杰基·韦佛,塔拉·维斯特伍德,佐伊·费什,弗兰基·费森,南希·索瑞尔,乔尔·加兰,布拉德利·索茨基,埃内斯托·格里菲思

  一名年轻的单亲妈妈兼警探莫顿发现郊区的一间房子遭到一个复仇怨灵所诅咒,这使进入房子内的人都会惨死。进入被诅咒的屋子中的她们必须设法从中救出自己和她的儿子,以免受怨灵的袭击。