田埂精灵

　　Can I Get a Witness? tells the story of a mother and daughter in a near-future world where huge sacrifices are made to maintain life on Earth.　　With its resources swallowed by e-waste and overpopulation, the world is experiencing an anthropogenic collapse. To manage, technological advances are shunned. Nobody has electricity and only people with exceptions are permitted cars. Most importantly, there is also a collective agreement that nobody is allowed to live beyond the age of 50.　　Oh’s Ellie lives with her teenage daughter Kiah (Keira Jang), who is starting her first day as a Documenter, an important role in this new world order. She uses her artistic gifts — beautifully conjured in animations — to draw the dying ceremonies, since printing and photography have been banned.　　Kiah is paired with Daniel (Joel Oulette), the young man who performs the contractual elements of each person’s end-of-life ceremony. He matter-of-factly provides the packages a person can choose, sets them up when the time comes, and performs the burials. But his new coworker is having a hard time handling the emotional impacts of the job.

德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一个妓女、一位女祭司以及其他神秘人物。在他们的指引下，她开始寻找抛弃她的母亲。这部由充满潜力的女导演艾米妮·耶尔迪勒姆（Emine Yildirim）执导的处女作，以西戴为背景。西戴是古希腊的一个殖民地，曾是位于今日安塔利亚附近的繁荣港口城市。电影《日为阿波罗，夜为雅典娜》标题中的两位希腊神祇分别是理性之神太阳神阿波罗和智慧、手工艺及战争女神雅典娜。这部影片是一部充满奇幻色彩的剧情片，讲述了女性与男性、生者与死者的故事。

影片讲述了昆明翠湖畔的一段家庭往事。老人树文在丧妻后想要重启人生新的情感阶段，却与女儿们爆发冲突，在这场冲突中让他看清自己在家庭里的“缺位”，也促使他重新承担起家长的责任，在直面三代人，三个家庭之间深藏的遗憾与隐痛的过程中，展开了一段寻求和解的温情旅程。

本片以乡村考古为背景，讲述少女露西与母亲卡罗琳重返家族故地时，意外揭开一段被岁月掩埋的亲情谜团。露西在两只神秘灵雀的指引下，与好友化身“小侦探”，通过老宅残片、褪色信件与家族旧物，逐步拼凑出曾祖母时代因战乱而断裂的情感纽带。这部别致的定格动画采用手工剪纸方式制作，创作团队用2000个纸偶和826个布景拍摄，堪称完成了一项不可能的工作。片中既有细腻舒缓的情绪铺陈，也不乏快速剪辑的惊险片段。导演安东尼·兰席奥以一段层层递进的冒险旅程为载体，娓娓道来几代人之间的情感牵绊，描绘出一部充满诗意、幽默和温情的动画佳作。