弹珠机交际花
Pachislot Battler Sakura 2009 铃川樱是一位在“大天堂”大厅工作的当红美女。她有一个名叫 Goro Nanao 的男朋友，他在一家上市的 pachislot 制造商工作，并被指派设置 pachislot 机器并开发新机器。同居一年后，小樱开始向五郎施压，要求她结婚。陷入困境的五郎从经理西垣那里收到了有关后插槽“神七”的信息！旋转一场比赛需要1,500日元，但这是一家超级爆炸的商店，每次大动作175,000日元。起初，五郎很不情愿，但当他一夜赚到四百万美元时，他逐渐无法摆脱自己的魅力。小樱和大天堂的经理都参与其中，情况每时每刻都在变化艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
影片推荐
猎战狂徒
郑楚一,魏晓璇,文东俊,曾晨,邹兆龙,卢惠光,邢瀚卿,英壮,梁焯满,闵政,孙蛟龙,王泽宗,王洪千,包小平,任珅,吴豪,徐宁,赵思陌,杨光,朱翔,张振宇来聊聊须绪美吧
长泽雅美,西岛秀俊,松坂桃李,濑户康史,远藤宪一,小林隆,坂东弥十郎,户塚纯贵,阿南健治,梶原善,宫泽艾玛弗兰茨
伊丹·魏斯,彼得·库尔特,耶诺夫法·波科娃,伊凡·特洛伊,Sandra Korzeniak,卡塔琳娜·斯塔克,塞巴斯蒂安·施瓦茨,亚伦·弗里斯,卡罗尔·舒勒,Gesa Shermuly,扬·布达尔,约瑟夫·特洛伊,卡雷尔·多布雷,Daniel Dongres,René Hofschneider,米哈尔·伊斯特尼克,弗拉迪米尔·雅沃尔斯基,Václav Jirácek,Michal Kern,Stepán Klán阿勒泰之歌
阿依波塔·杰恩斯,银珠·木拿里别克,海拉提·哈木,张大磊,张雅玫,达列力汗·哈德尔,阿来·阿依达尔汗,叶尔那尔·俄合拉斯别克,阿力木江·吐尔斯拜克,丽娜·夏侃,阿依江·赛力克,达布力·黑巴提,库力加孜拉·比亚地莎拉的石油
扎克瑞·莱维,Naya Desir-Johnson,索尼夸·马丁-格林,加瑞特·迪拉胡特,梅尔·罗德里格斯,布里吉特·瑞根,斯特里奥·萨万特,Marco Fuller,汤姆·欧默,玛利亚·米切尔,Ryan O'Quinn,罗伯特·古德曼,乔纳森·利普尼基最后一枪2025
Lham Somphol Rungphanit,萨里卡·塞思苏帕,帕塔纳·埃桑固同类精选
当家好女婿
Adrian Vazquez,Jero Medina,Verónica Bravo致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer祝你好运2024
亚历山德拉·达达里奥,柯瑞·福格尔玛尼斯,迈尔斯·古铁雷斯-赖利,科尔·斯普罗斯,莉娜·邓纳姆,艾米·兰德克,莱克西·安德伍德,丽莎·山田,贾德森·米尔斯,布莱恩·迈克尔·史密斯凶地
平采娜·乐维瑟派布恩,Golf Pichaya Nitipaisalkul,Ivrin Osathanond,Manatsanun Phanlerdwongsakul,尼克.坤纳提帕.平帕拉达布,Pharanyu Rojanawuthitham,巴东·颂桑,坦瓦林·苏卡皮西特,Chaiwat Thongsaeng,查理·瑞纳无法在你的脸上哭泣
芳根京子,高桥海人,西川爱莉,武市尚士,中泽元纪,前原滉,林裕太,大塚宁宁,赤堀雅秋,片冈礼子,山中崇索命暹罗之按摩师
林保怡,袁百梓卉,高捷,黄恺杰,钮蔚淇,高翔,叶勇影视排行
最后决战
皮埃尔·若利韦,让·布伊兹,让·雷诺此片是卢贝松再影坛还没没无闻时，凭著一腔热血，旺盛活力与爆发力， 突破一切传统，挣脱一切商业机制下的樊笼，冒著无色彩，无对话，无明星等大讳所完成的电影。当影片完成时，因宣传无门，于是卢贝松带著这部影片参加瑞士阿沃基影展，一举拿下评审特别大奖及影评人奖，因而打开他的国际知名度。解剖核子战后的文明废墟，因为无色彩，所以这是一部黑白色调的电影。
自杀俱乐部2001
石桥凌 , 永濑正敏 , 宝生舞 , 佐藤珠绪 , 野村孝 , 罗利寺西 , Joshua , 辻冈正人 , Kôsuke Hamamoto , Kei Nagase , 嘉门洋子 , Maiko Mori , Sayako Hagiwara , 金子贵俊 , Mika Miyakawa夜色沉沉的东京新宿站，劳碌一天的人们依旧行色匆匆，仿佛从不知停歇的工蜂。然而却有一群正处在青春期的女孩绽放着无忧无虑的笑容。她们身穿着不同款式的校服，似乎早已约好一般同时来到这里，女孩们在月台前一字排开，手拉手齐齐跳向飞驰而来的列车。一时间血光四溅，54个鲜活的生命瞬间消失。 这一事件轰动全国，与此同时类似集体自杀的事件愈演愈烈，甚至连调查此案的警官黑田敏春（石橋凌 饰）及其家人也受到波及。黑田的搭档涉泽健次（永瀬正敏 饰）通过不懈的调查，发现一连串的自杀事件都和一个名为“自杀俱乐部”的网站有关。事件的真相究竟如何？惨剧最终能否终止？
杀的就是你
莎姬·贝兹,汤姆·费尔顿,帕特丽夏·阿奎特,海瑟·格拉汉姆,米哈拉·赫罗德,佩特逊·约瑟夫,阿曼多·里维拉,达伦-迈耶,克里斯·范·伦斯堡,盖布·加布里埃尔,梅根·亚历山大一个从事打扫工作的女子为纽约一座摩天大楼中的富人家工作，却被告知这里有一个供奉撒旦的邪教，每个月要杀一个人作为祭品，“今晚，选中了你……”
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.