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莎蒂·卡茨,凯维·莱曼-默塞尤,奥吉·杜克,迈克·弗格森,迈克尔·帕尔,弗农·威尔斯,伊娃·哈密尔顿,兰迪·查奇,Dan Istrate,杰西卡·乌波拉佳 Jessica Uberuaga,David W. Bailey,Joe Barlam,Klaudia Kaye,Mario Daggett,Jon Castro,Michael Roccio,Markus Essien,Nick Goodreau,亚瑟·加贝过家家2026
成龙,彭昱畅,张佳宁,潘斌龙,李萍,牛犇,刘敏涛,冯兵,李宗恒,芮丹尼,黄才伦,老四,黄炎,韩栋,张国庆,刘頔,刘洋,陈昊明,那家威,杨帆,永辰,李洪权,胡笑源,傅晓娜,韩沐霏,李太言,朱籼籼浴血黑帮电影版
基里安·墨菲,丽贝卡·弗格森,蒂姆·罗斯,苏菲·兰朵,奈德·丹内利,派克·李,伊恩·佩克,杰伊·利库戈,巴里·基奥恩,斯蒂芬·格拉汉姆,萨米·乔纳斯·希尼,鲁比·阿什伯恩·瑟金斯,山姆·贝克-琼斯,卡斯珀·希尔顿-希勒,马丁·安格鲍尔,马克·威尔金森,托马斯·阿诺德,安迪·M·米利根,罗利·威尔逊,马克斯·凯文汉姆致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer黄金七令之罗刹风云
任子豪,何雨宸,李子雄,李家辛,徐俊,谢昌定,朱翔,曹忆,钱婧睿,张宸彬,高迦澜,曾庆生,范奇佐藤妻夫物语
岸井雪乃,宫泽冰鱼,藤原樱,三浦獠太,田村健太郎,前原滉,山本浩司,八木亚希子,中岛步,佐佐木希,田岛令子,柳原晴郎同类精选
皇家酒店谋杀案
杰夫·布里吉斯,辛西娅·艾莉佛,达科塔·约翰逊,乔恩·哈姆,克里斯·海姆斯沃斯,卡莉·史派妮,刘易斯·普尔曼,尼克·奥弗曼,泽维尔·多兰,谢伊·惠格姆,马克·奥布莱恩,查尔斯·哈尔福德,吉姆·奥希尔,瑞贝卡·图兰,比利·威克曼,威廉·B·戴维斯,曼尼·贾希尼托,乔纳森·怀特赛尔,凯瑟琳·伊莎贝尔,萨拉·史密斯看不见的守护者
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久美江措,更旦,尕玛久美,尼玛颂宋,西然仁杰,尕玛文加,文秀求珍,达杰丁增,更却东周鸣枪警告
David Spade,詹姆斯·厄尔·琼斯,弗兰克·威利盗影迷局
周扬惊爆魔盗团
祖尔·阿里芬,Sharnaaz Ahmad,Amelia Henderson,Nadhir Nasar,郑斌辉,Yasmin Hani,吕杨,米勒·可汗,Elvina Mohamad,G Theebaan,Anas Ridzuan,Wan Raja,Mustaqim Bahadon,Aanantha Rajaram,Shamini Shradha,Alicia Amin,陈沛江,Sherry Al Jeffry影视排行
交响诗篇超进化1
名冢佳织十年前，发生了震撼世界的重大事件“第一次爱之夏”。兰顿失去了他的父亲阿德洛克，现在已经在边境城镇贝尔福雷斯特参加了塔州联盟军校。被称赞为英雄的已故父亲。 什么都没有的单调日常。兰顿身边的一切都很闷。 但在兰顿面前，世界上最古老的LFO尼尔瓦修突然出现。 从驾驶舱出 现的是优莱卡。兰顿和优莱卡的旅程将在哪里结束？
极度失眠
Maria Mathiesen,斯特兰·斯卡斯加德,斯威尔·安克·奥斯达,Gisken Armand,克里斯蒂安·菲根斯科1997年，一部来自挪威的惊悚片《失眠者》上映后获得好评，《芝加哥太阳报》的著名影评人罗杰，艾伯特给出了3星半的高分，他盛赞该片“不仅仅是一部惊悚片或动作片，而是一次心理学上的探索与学习”。两犯罪调查者到挪威北方一个镇帮助解决一个年轻的女孩的谋杀案，谁知陷入了巨大的困境之中。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下世界
乔治·班克罗夫特,艾弗琳·布伦特,克里夫·布洛克,弗莱德·科勒,海伦·林奇,拉里·塞蒙,Jerry Mandy,Alfred Allen,Shep Houghton,Andy MacLennan,Julian Rivero依据1922年的凶杀案改编，描写贩卖私酒的匪帮和警方角力的故事。影史第一次以盗匪当主角，运用背面打光和烟雾，颇具艺术风格，广受欢迎，也预示40年代黑色电影的来临。