健身房的教练摞不开的双手
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剧情简介
健身房的教练摞不开的双艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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不是闹着玩的
李易祥,于根艺,曹随风,田华电影一直与阳春白雪相关,似乎很少有人把它与下里巴人联系在一起。可河南某小镇某小村,却发生了一件事,让电影与下里巴人进行了一次对接。村里的电影放映员蔡有才(李易祥 饰)一直有一个梦想,那就是亲自拍一部电影。这不是闹着玩的,有才果真开始实践起了拍电影之梦。围绕着鬼子进村的主题,有才开始寻找演员,构造场景,可这些非专业出身的演员和资金的限制,让片场状况百出也笑话百出,经过各种磨难,有才还是咬牙坚持了下来。 本片为真人真事改编,全程用河南话进行对白。真实情形为河南许昌县灵井镇兴元铺村的农民赵兰卿发动村民一起自编自导自演了一部名为《鬼子进村》的电影,开创了农民自己拍电影的先河。
身体集合.zip
金玟锡,金彩恩,权雅凛,姜俊圭,金亚炫,赵宇丽老么記者詩京潛入邪教團體取材。詩京被受邀參加特別的儀式,信徒們依序祈願並獻上祭品。接著終於輪到詩京了,這時她才驚覺祭品竟然是身體的一個部位,這令她衝擊不已。眼睛、鼻子、嘴巴……圍繞在身體各部位的6個故事,當集滿身體所有部位時,血淋淋的恐懼就會覺醒!
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耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最后的吸血鬼
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