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剧情提要
新冠病毒大流行期间，菲律宾施行封城政策前夕，一对夫妇想赶在封城之前，实施他们布局已久的3P计划，沉浸在肉体欢愉中的人妻，殊不知已被另一群色欲熏心的男人盯上..艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan
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父母姐弟
凯特·布兰切特,亚当·德赖弗,夏洛特·兰普林,薇姬·克里普斯,汤姆·威兹,莎拉·格林,弗朗索瓦兹·勒布伦,茵蒂娅·摩尔,卢卡·萨巴,马伊姆·拜力克独自赴死
凯瑞-安·莫斯,道格拉斯·史密斯,弗兰克·格里罗捉鬼合家欢
郑则士,利智,王小凤,吴君如,楼南光,江欣燕,张立基,陈龙,成奎安疯狂特警队
丹尼·伯恩,爱丽丝·波尔,米歇尔·布朗,伊万·阿达勒,萨宾·阿泽玛,帕特里克·米勒,弗朗西斯·利范德,安·玛丽文,弗洛亨特·皮耶,阿兰·杜泰,于尔班·康塞利埃,弗朗索瓦·温琴泰利线人1973
罗伯特·米彻姆,彼得·博伊尔,理查德·乔丹,史蒂文·基茨,阿历克斯·罗克,乔·桑托斯,米奇·瑞恩,Peter MacLean,凯文·欧莫里森,Marvin Lichterman,卡罗琳·皮克曼,詹姆斯·托根,玛格丽特·拉德,马修·考尔斯,Helena Carroll,杰克·基欧,Jan Egleson,Michael McCleery,Robert Anthony,Gustave Johnson郊区男孩 3
Kery James,Bakary Diombera Bakary Diombera,Jammeh Diangana长春花园
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泰勒·拉塞尔,洛根·米勒,黛博拉·安沃尔,泰勒·莱伯恩,杰·埃利斯,尼克·多达尼,杰西卡·萨顿,约里克·范·韦杰宁根,杰米-李·蒙尼,亚当·罗比特尔,韦尔·廷德尔,肯尼思·霍,科尼利厄斯·吉尼,保罗·汉普赛尔,佩泰·塞彭克,丹·格伦伯格,吉诺·李在乐响舞动时
苏拉吉·潘乔里,Isabelle Kaif,Sammy Jonas Heaney猫小姐莫西
芭芭拉·萨拉菲安,Sarah Bannier,彼特·恩布雷希茨离婚怨曲
梅根·古德,科里·哈德里克,约瑟夫·李·安德森,泰勒·波利多雷,Shannon Wallace,理查德·劳森,黛比·摩根,Mark Elliott Brewer,Sarah Girma,Adam Jerome Sperandio,乔·科马拉,Ursula O. Robinson,Rakeem Laws,Berry Williams Jr.,Jeffrey Creightney,Delandrian Lamar Aikens,Jason McGee,Anthonique Page,Anthony Johns剧场灵
岛崎遥香,足立梨花,高田里穗,町田启太,中村育二,小市慢太郎落叶球
David Koberidze,Otar Nijaradze幕后花絮
紧箍咒之不法山
大老板(陈龙饰)所困的不法山客栈迎来了一群不一般的客官，这其中，来势汹汹的西域人究竟是何身份?群妖汇集在此蠢蠢欲动又所图为何?而路经此地的唐僧师徒四人又将变幻何人才能骗过众人耳目?在这座无法使用法力的神秘客栈，一场惊心动魄的西游版“狼人杀”即将拉开序幕。
公寓2024
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.