肉偿还债湖北职业学院秦仙玉因没钱交租而选择肉偿被房东吊起脚爆操
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铃鹿央士,山田杏奈,山里亮太,宍户佑名,梅原裕一郎,三宅健太,太田駿静,土屋安娜,川岛邦裕派对浪客孔明 THE MOVIE
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朴宝英,周元,江星绑架
保罗·皮耶罗邦,福斯托·鲁索·阿莱西,芭芭拉·朗奇,Enea Sala,莱昂纳多·马尔特斯,菲利波·蒂米,法布里齐奥·吉福尼,Andrea Gherpelli,Samuele Teneggi,科拉多·因韦尔尼齐,Aurora Camatti,保罗·卡拉布雷西,布鲁诺·卡里诺,Renato Sarti,Fabrizio Contri,费德里卡·弗拉卡西,查士丁尼·阿尔皮,亚历山德罗·班迪尼,James Basham,Leonardo Bianconi同类推荐
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亚辛·侯伊卡,欧莱雅·阿玛拉,拉斐尔·奎纳德,Bilel Chegrani,迪翁-克巴·塔库,蒂法因·戴维斯,霍莉·法特玛,吉列尔莫·吉兹,萨米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾玛·贝内斯坦,Aurélien Marra,塔萨迪特·曼迪,Atmen KelifAz 在 Sète（法国南部）的一个牡蛎养殖场工作，他非常熟悉牡蛎，曾打开过成百上千个，一天，他决定藏一枚戒指在其中一只牡蛎中，向他的女友 Jess 求婚，但是对方没有答应。不过幸运的是，他的一群朋友已经准备好帮他重新振作起来。 Az travaille chez un ostréiculteur à Sète. Les huîtres il connaît ça par cœur, il les ouvre par centaines. Dans l’une d’elle, Az décide de cacher une bague, pour demander sa petite amie Jess en mariage. Elle ne dit pas oui. Heureusement, sa bande d’amis est prête à tout pour l’aider à sortir la tête de l’eau.
红衣诡村之幻·谜
姚尧,车品孝,石稚昀,谢易真,李国麟,骆应钧郑家村，突然发生了一系列似怪异的事件。 众人来到郑家老宅，郑浩民在了解情况后，特邀请曾经的同事，考古学教授张信安前来一同进行科学调查。 张信安等人来到郑家村与郑浩民等开展了一系列的调查工作。 张信安在观察了郑家老宅后，从科学依据做出判断，郑家老宅四面环山傍水，阴湿气重，在地理上形同一个低洼混区，导致磁场混乱，各种正常人感知不到的微弱电波无法散发。 就在调查即将接近真相的时候，两位教授遭受莫名攻击，陷入可怕幻觉，导致两人当场昏迷。 事态进一步恶化，破开迷雾的重任压在了韩斌和张紫涵这一对年轻恋人身上。 韩斌在经过一系列的诡异后终于找出缘由。
绚烂一刻
查莉XCX,亚历山大·斯卡斯加德,瑞秋·塞诺特,凯特·贝兰特,罗姗娜·阿奎特,詹米·德米特鲁,凯莉·詹娜,阿丽尔·朵巴丝勒,迈克尔·沃克耶,海利·盖茨,艾萨克·鲍威尔,里什·沙阿,特鲁·马伦,莎拉·贝克·马瑟,瑞安娜·杜斯,Richard Perez,埃什·阿拉迪,Keanan Cantrell,James Bayes,Mel Ottenberg一位冉冉升起的流行歌手在为她的巡回演唱会首秀做准备的同时，努力应对名利和行业压力的复杂压力，揭示了地下文化向主流成功的转变。
大明嫔妃之选秀
何杜娟,关慧卿,思漩,陈一诺,王春妹,朱一龙皇太子争选太子妃，兰心本有所爱，却不得不进到太子府，因为才华出众，深得皇太子和纪淑妃的喜爱，兰心被嫉妒和排挤，在太子府里受尽磨难！ 其实一切阴谋都是秀女姚芊芊设计的，姚芊芊是万贵妃的人，自己参选秀女就是为了接近太子，协助万贵妃铲除太子，虽然她心中也另有所爱，但不得不去争选太子妃，铲除一切阻碍自己当上太子妃的秀女。 姚芊芊陷害兰心通奸，差点害的兰心被赐死，关键时刻兰心被梅儿所救。几日后公布太子妃人选之时，纪淑妃为了顾全大局，还是让姚芊芊当上了太子妃，姚芊芊十分痛苦内心挣扎，兰心、梅儿、金碧瑶当上侧妃，大家各怀念想……。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.