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影片讲述一个导演,克服了各种困难拍摄一部讲述罗马尼亚独立战争大片的故事,值得一提的是,这部影片就是罗马尼亚1912年拍摄的第一部电影史诗——《独立战争》。《余下的就是沉默》尽管根据真人真事改编,但是男主角电影导演却是虚构的,他为了拍电影一方面要筹募资金,另一方面还要提防一家法国电影公司窃取他的创意。该片公映后好评如潮,一举囊括了2009年罗马尼亚GOPO电影奖最佳影片、最佳编剧、最佳女主角等九项大奖,被誉为罗马尼亚近二十年最出众的影片之一。
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
警探本•卡森(Kiefer Sutherland 基弗•萨瑟兰 饰)因枪杀同事被迫从纽约警察局提前退休,他的婚姻也随之破裂。落魄的本暂住在妹妹安琪(Amy Smart 饰)的公寓里,终日借酒浇愁。一段时间沉沦过后,本重抖精神,找到了一份保安的工作。他所供职的五月花购物商场五年前曾被大火毁于一旦,令他倍感奇怪的是,在这座焦黑的建筑物中,那一面面镜子却格外明亮。 数日后,本在商场的镜子上发现奇怪的手印,而次日亦在妹妹家的镜子上见到恐怖的景象。接下来的日子里,恐怖事件接连发生……
回望历史所带来的震撼,它让我们牢记:中华儿女只要万众一心,就能抵御一切来犯之敌,就能实现屹立于世界民族之林的中国梦。