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137号案件
蕾雅·德吕盖,帕斯卡·桑格拉,克莱尔·博德森,朱利安·利蒂,佛罗伦斯·维亚拉,海伦·亚历山德里迪斯,Solan Machado Graner,安东尼娅·布雷西,杰纳维夫·马尼奇,Christian Sinniger,Sandra Colombo,Côme Péronnet,瓦伦丁·坎帕涅,Mathilde Riu,雅尼克·莫泽尔,古斯拉姬·马兰达,戈捷·巴图埃,Laurent Bozzi,亚历珊德拉·耶尔马克,斯蒂文·德里森疯狂天才
史宾塞·洛克,泰米娜·森尼,法兰·塔希尔,斯科特·麦克洛维茨,丽维·陈,克里斯·梅森,格本加·阿金纳格贝,brandon scott,klement tinaj,derek s. orr,nicole fahel天空岭杀人事件
徐康俊,文素利,申东美,李世荣临时家族
张双利,盛朗熙,李洛伊围困3
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir胡加尔的一天
本·卫肖,丽贝卡·豪尔同类精选
掠杀者
利亚姆·坎宁安,宝拉雅娜·麦金托什,汉娜·斯坦布里奇,布莱恩·拉金,尼尔·格雷格·富尔顿,道格拉斯·罗素,乔纳森·沃森,布莱恩·威纳尔孩子们安好
卡米尔·科坦,莫妮亚·乔柯里,朱丽叶·阿曼尼特,Manoã Varvat,Nina Birman,纪尧姆·谷伊,玛丽亚姆·阿赫迪欧,弗兰基·瓦拉赫,Tania Dessources,Camille Lethuillier,马克西姆·施邦古,Zoé Briau,Jean-François Hoche,Pauline Roux,阿丽亚娜·纳齐里,Zakariya Gouram,Anna-Marie Filippi,Zbigniew Jankowski,William Louis,Jean-René Stani绵羊侦探团
休·杰克曼,尼可拉斯·博朗,尼古拉斯·加利齐纳,莫莉·戈登,茱莉亚·路易斯-德瑞弗斯,克里斯·奥多德,布莱恩·克兰斯顿,帕特里克·斯图尔特,雷吉娜·赫尔,贝拉·拉姆齐,瑞斯·达比,布雷特·戈德斯坦,艾玛·汤普森,周洪,康勒斯·希尔,托辛·科尔,寇布勒·霍尔德布鲁克-史密斯,曼蒂普·迪伦,詹姆斯·赖特,乔治·哈里斯,斯特拉·斯托克尔,本·优素福,乔舒亚·希尔相遇之家
宋智孝,都嬴谞,玉智英,尹惠利切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin破坏欲
琳娜·海蒂,理查德·詹金斯,米歇尔·邓肯,乌尔里奇·汤姆森,梅尔维尔·珀波,阿斯尔·纽曼影视排行
星际变种
刘敬宇,杨舒婷,凯洱,麦小龙,王艺曈,袁近辉,鄢子纶,李岩研,刘峰超,Alexander Zerrath,狼森,Eric Joseph Heise,蒂娜·柯林斯,Chelsey Mark,大卫·雷登,Norbert M.DuBois,赵鹏涛一场惨绝人寰的连环惨案，让雷杰米一直被恶灵缠身困扰。但只有他知道真正的凶手是一种“看不见、摸不着”的在阴影中潜伏的恶灵：无声逼近、瞬间夺命，只留破碎尸体与无法解释的诡异痕迹。 雷杰米与女医生卢娜联合调查时发现，一切源于他童年母亲死亡有关的研究秘密释放的远古恶灵，它正以扭曲低语和血迹标记猎物，吞噬猎物的恐惧，将他们逐个拖入绝望死亡。证人离奇发狂、无人医院深处传来湿滑爬行声……而每当人心恐惧到极点， 恶灵便会在黑暗中悄悄靠近…… 身边人接连惨死，雷杰米必须直面纠缠他一生的“恶灵”，才能拯救他所爱之人。当他们以为噩梦终结时，恶灵却失控逃逸扩散，更大的恐惧才刚刚苏醒……
绝种好男人
任贤齐,张柏芝,李珊珊,葛民辉,杜汶泽,黄浩然,王天林,森美,阮小仪,刘恺威,李思捷,李枫,张文慈,黄泆潼,吴慧冰,黄琛如,王晶,张仕铿,李霆锋,何肇晃,黄卡娜,发烂渣,吴成达,杨嘉雯,高宝云,文诗琪,叶景文,董伟强,陆剑青,李正津因忍受不了男友Moses（任贤齐）的平凡，阿Mi狠心与他分手，塞翁失马焉知祸福，Moses在老人院做义工时，与怪脾气老头蛤蚧王成为忘年之交，后者死后，给他留下巨额遗产。蛤蚧王的此举招致其律师Allen的不满，他在夜总会发泄时无意中将此事告诉了小姐Didi（张柏芝）。 为将Moses钓到手，Didi使出浑身解数，无奈均不奏效。发现Moses是绝种好男人后，Didi对他动了真心，两人开始热恋，不久，Allen将Didi的原来身份相告Moses，令他异常伤心，此时，阿Mi又前来要与他复合。
异形：夺命舰
卡莉·史派妮,戴维·荣松,阿奇·雷诺,伊莎贝拉·莫塞德,斯派克·费恩,吴爱玲,丹尼尔·贝茨,伊安·霍姆,特雷沃·纽林,罗伯特·勃洛克茨基,安妮玛丽·格里格斯,罗茜·伊德,索玛·西蒙,本斯·欧科克,维克托·欧利祖影片时间线设定在1979年第一部《异形》与1986年的续集《异形2》之间，围绕一群年轻而勇敢的太空殖民者展开。讲述他们为逃离外星采矿殖民地的沉闷生活，在冒险探索一座废弃的太空站时，意外遭遇了宇宙中最可怕的生命体——异形。 狭窄幽暗、危机四伏的空间站中，大逃杀的序幕已经被无情拉开，人类再次成为异形生物捕猎的目标。在无尽的黑暗与死亡威胁的笼罩之下，太空探险队员们能否在每一次心跳的瞬间，察觉到未知生物潜伏的丝丝寒意？在这场你死我活的追逐战中，他们将直面怎样的信任挑战和道德挣扎？当一个又一个同伴被残忍吞噬，求救无门的他们究竟能否在这场太空杀戮中寻得一线生机？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.