亚马逊食人族
身居纽约的人类学家葛瑞拉(Lorraine De Selle 饰)和兄长鲁迪(Danilo Mattei 饰)、好友派特(Zora Kerova 饰)结伴前往亚马逊丛林考察土著的生活习俗。抵达目的地后,他们遇见两个躲避外界追杀的毒贩:麦克(Giovanni Lombardo Radice 饰)和乔(Walter Lucchini 饰)。这两个邪恶的家伙利用当地人帮他们从事毒品生产和交易,稍不顺心便对当地人打骂对待。 正所谓恶贯满盈,善恶有报。麦克因残酷杀害包括土著首领女儿在内的当地人,而激起这群善良人的愤怒。他们拿起武器,对这些入侵的白人展开报复,而葛瑞拉他们也被牵连其中
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用武之地
肖央,齐溪,任达华,郑恺,潘斌龙,法提,奥黛丽·欧塔维阿诺暗黑新娘!
杰西·巴克利,克里斯蒂安·贝尔,彼得·萨斯加德,安妮特·贝宁,杰克·吉伦哈尔,佩内洛普·克鲁兹,约翰·马加罗,珍妮·柏林,路易斯·坎瑟米,马修·马希尔,朱莉安·浩夫,威廉·希尔,斯蒂芬妮·特洛亚克,马西尔·摩丹,马科·查卡,莉迪亚·凯莉,索菲娅·科,本·格林,伊莲·阿普鲁泽西,安东尼·贝里尼杨非与高俐
刘道玄,彭必瑶,潘国栋,刘占奎,陈纬,高果蹂躏
布鲁斯·邓恩,安娜贝尔·德克斯特-琼斯,埃里克·尼尔森,罗伯特·朗斯特里特,Joshua Brady,罗斯·帕特里奇,Chris Pinkalla,Drake Shannon,迈克尔·韦弗迷失禁区
陈明民,梁鸿,王新宇,金晨曦惩罚者:最后一击
乔·博恩瑟,杰森·R·摩尔,朱迪斯·赖特,黛博拉·安·霍尔,安德烈·罗佑,尼克·库马拉索斯,贾马尔·劳埃德·约翰逊,多米尼克·曼齐诺,约瑟夫·德维托,大卫·曼努埃尔,多纳尔·奥·赫莱,约翰·道格拉斯·汤普森同类推荐
东北恋哥3:冬天里的一把火
包贝尔,张梦露,乔杉,潘斌龙,韩彦博,韩云云,张呈90年代的哈城,刚刑满释放的徐铁(包贝尔 饰)偶遇装哑的舞女百灵(张梦露 饰),两人也在几次偶遇和深夜相伴中渐生情愫。直到除夕夜的温暖,让他们相互靠近,却又因现实隔阂,家人误解而屡屡拉扯。百灵为父还债的秘密账本,让徐铁读懂了她的苦衷,雷力的迫害更是将两人推向绝境,徐铁以命相搏救出被囚的百灵,终赢来家人祝福。这对孤独灵魂,在世俗重压下,以真爱焐热了彼此的人生。
伊曼纽尔的真相
卡雅·斯考达里奥,杰西卡·贝尔,阿尔弗雷德·莫里纳,弗兰西丝·奥康纳,阿奈林·巴纳德,吉米·辛普森,Gabriela Dias,斯宾塞·加雷特,山姆·贾格,凯文·麦克克科尔,安妮·拉姆塞片中卡雅·斯考达里奥饰演伊曼纽尔,她迷上了长得酷像她死去母亲的新邻居(杰西卡·贝尔饰)。为了照顾她新生的孩子,伊曼纽尔陷入了一个虚幻易碎的世界,并成为了那里的守门人…
灵犀
Jay Dee,Daniel 'Doknow' Lopez,Uziel Pantoja Delgado,Pao Villalobos,Nana Ponceleon,Laura Lopez,Francine Sena,Liz Ellie,Xavier Mendoza,Jose Mata,Cristian E. Gutierrez,Josh Benitez,Cory Aycock,Angelina Rosa,Noman Hosni,Terrence DeLane,Seryn野心勃勃的小镇音乐家的表演视频在网络上火了,他想要抓住机会在乐坛占据一席之地,可这场追名逐利的游戏也许不是他能够把握的。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
超时空辉夜姬!
夏吉优子,永濑安奈,早见沙织,入野自由,内田雄马,松冈祯丞,青山吉能,小原好美,菲鲁兹·蓝,花江夏树,钉宫理惠“月读”是希望与梦想交会的虚拟空间,而舞台幕布将缓缓升起,见证几位少女在此谱写短暂却珍贵的相遇篇章。 不久的未来…… 东京的 17 岁高中生酒寄彩叶过着非常忙碌的生活,努力在打工和学业之间寻找平衡。她的纾压方式是观看很有人气的月见八千代直播,八千代管理名为“月读”的线上虚拟空间。 彩叶时常光顾月读,在那里可以体验不同的人生,自由挥洒创意。她就靠着支持八千代度过空闲时间,还会玩战斗游戏赚一点外快。有一天,在回家路上,彩叶发现一根电线杆闪耀着奇异光芒,没想到电线杆里竟然凭空冒出一个可爱的宝宝。彩叶没办法随手抛弃宝宝,只好把她抱回家,眼睁睁看着她迅速长成一个跟自己同龄的少女。 “你是辉耀姬吗?” 这是你绝对不曾看过的辉耀姬物语。