微笑 北内みさと写真
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幸福之路
张震,陈法拉,魏恺乐,莱斯·纳克里,雅南,汤姆·乌卡,杨佩里,王战,李海斌,郑礼莎,亚历克斯·维多夫,卡洛斯·罗德里格斯,丹尼尔·阿拉纳,萨拉·巴斯金,丹尼·博邦穿梭纽约市送餐的华人外卖仔，因谋生工具电动单车被盗，生活陷入危机。同时，他的妻女在分离五年后，终于来到纽约重聚。一部书写移民劳工的电影，镜头随着无法停下的外卖单车徘徊飘移，配以幽暗色调的纽约街头，仿佛在高度资本发达的城市中，刻划出边陲移工艰苦曲折的生存轨迹。韩裔加拿大导 演于2022年以短片《老样子》入围戛纳短片竞赛，其后将短片延伸成为其首部剧情长片，不变的是对移民群体的关注。
阴阳师2001
野村万斋,伊藤英明,今井绘理子,小泉今日子 Kyôko Koizumi,真田广之,夏川结衣,宝生舞,矢岛健一,石丸谦二郎,柄本明,岸部一德,萩原圣人公元794年，日本桓武天皇时期，京都长冈被其胞弟早良亲王怨灵诅咒，天灾人祸不断。桓武天皇被迫迁都平安京，由此开启四百年平安时代序幕。彼时权贵内部斗争激烈，人民生活疾苦，世间因此怨灵丛生，人、鬼与怪物屏息同栖。隶属于宫廷阴阳寮的阴阳师们，作为平衡天、地、人、鬼间矛盾的存在，自此活跃在历史舞台上，其中最为耀眼的便是身世成谜的安倍晴明（野村万斋 饰）。右近卫中将源博雅（伊藤英明 饰）受托拜访安倍晴明，被所目睹的奇异景象及晴明的个人魅力深深折服；晴明亦被博雅正直的品德吸引。故事便从两人宿命相识，结下珍贵情谊开始。 宫廷内近来异事频发。左大臣藤原师辅之女诞下敦平亲王，婴儿降世却身负诅咒。晴明招来蜜虫（今井绘理子 饰）和神秘女子青音（小泉今日子 饰），与博雅一同化解恶咒，却反遭诬陷。原来一切皆是阴阳头道尊（真田广之 饰）所为。他利用左右大臣间矛盾与后妃间争宠频生事端，更欲召唤出150年前的最强怨灵早良亲王，将平安京彻底颠覆…… 影片根据梦枕貘《阴阳师》系列小说改编。
泰勒·汤姆林森：浪女回头
泰勒·汤姆林森泰勒·汤姆林森（Taylor Tomlinson）在她的第四部喜剧特辑《浪子回头的女儿》（Prodigal Daughter）中，以一个关于解构信仰、处理宗教创伤、探索性取向和面对死亡恐惧的紧张新时刻回到了她的根本。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
东北警察故事3
谢苗,林晓杰,崔志佳,黄米依,伍允龙,马千壹,张磊,冯瑶,唐鉴军,田娃,吴莫愁李红旗要办婚礼了！本想婚礼一切从简，但彪悍热心的丈母娘（林晓杰 饰）坚持做主想大操大办，李红旗不得不飞往海角，落地后却得知飞机邻座女孩昕昕（马千壹 饰）被人贩子拐走。面对凶残狡猾的犯罪团伙，李红旗与当地办案风格迥异的警察孙彪（崔志佳 饰）强强联手，在婚期逼近的倒计时中和人贩子头目秦叶蓉（黄米依 饰）及卖鱼佬（伍允龙 饰）展开殊死搏斗。婚礼筹备笑料百出，办案追凶惊心动魄——红旗不倒，正义不休假！看李红旗如何罪犯、幸福两手抓。
三声再见
阿尔芭·罗尔瓦赫尔,埃利奥·杰曼诺,弗朗切斯科·卡里尔,西尔维娅·达米科,加拉泰亚·贝露琪,萨莉塔·乔德霍里,洛伦佐·特伦齐,索菲娅·德利娅,斯蒂法诺·布拉奇,彼得罗·斯帕沃利,孙克古·郑,马泰奥·卡洛马尼奥,朱塞佩·佩斯蒂洛,路易莎·里奇,薇拉·杰玛,亚历山德罗·洛·卡塞托,科西莫·德西伊,特奥多罗·吉安班科,朱利娅·瓦伦蒂,托马索·阿尔纳尔迪岁月无声，平淡如水。因小事吵闹令多年恋情告终，她复要面对身体突如其来的噩耗。有恨无人省，心底的哀伤、焦虑与寂寞，只能独对在街角检拾回来的纸板韩星，轻声倾诉。夕阳余晖，仿佛骤然点亮了寻常忽略的景致，令她重新感悟人间的和煦。 西班牙导演伊莎贝拉库谢以优雅与温柔，将小说家麦可娜·穆尔嘉的遗作化为翩翩光影，凝留于艾芭诺宜娃查倩影丽容，是一阕寛怀的生命诗篇；在最后的时光，与人生、与凡尘好好告别，让放下自在的微光，温润世上所爱之人。