风流3壮士
吴立德，花名Chickeeduck，典型二世祖，生性风流。一日，德父突然告诉他家里面临破产，更吩咐他到菲律宾向一位叫Lilian女人求救．Lilian是德父的旧情人，更带着德父的亲生儿子Joe。德于是带助理新马祥和保？TFit佬到菲律宾。祥的职责实际是帮德猎艳，而他本身是一名基佬，更一直暗恋Fit佬．可惜Fit佬只对女人有兴趣，而且更患有被虐症。 这三个力人均有意想不到的艳遇：德搭上了同父异母的妹妹Joe，后来才发现Lilian替父亲所生的竟是个半男半女的人妖。Fit佬被Joe表妹Aya虐待，感到与奋莫名，同时又担心被虐症终不能治好。祥在无心之下与Fit佬共赴巫山，心愿得以一偿。最后，饱受Joe催残的德终于发现那全是父母的骗局，目的是想自己改过自身！
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剧情提要
吴立德，花名Chickeeduck，典型二世祖，生性风流。一日，德父突然告诉他家里面临破产，更吩咐他到菲律宾向一位叫Lilian女人求救．Lilian是德父的旧情人，更带着德父的亲生儿子Joe。德于是带助理新马祥和保？TFit佬到菲律宾。祥的职责实际是帮德猎艳，而他本身是一名基佬，更一直暗恋Fit佬．可惜Fit佬只对女人有兴趣，而且更患有被虐症。 这三个力人均有意想不到的艳遇：德搭上了同父异母的妹妹Joe，后来才发现Lilian替父亲所生的竟是个半男半女的人妖。Fit佬被Joe表妹Aya虐待，感到与奋莫名，同时又担心被虐症终不能治好。祥在无心之下与Fit佬共赴巫山，心愿得以一偿。最后，饱受Joe催残的德终于发现那全是父母的骗局，目的是想自己改过自身！
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是被过去塑造的囚徒，还是自我命运的缔造者？故事以抢劫失败后的悲剧开场。一位濒临崩溃的偏执女子，带领两名同伙抢劫了爱尔兰农村信用社，但计划漏洞百出。事态不断失控，随着时光倒流，那些无法逃离的记忆如同锁链，不仅将她们拖入深渊，更将身边人卷入致命漩涡。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.