团鬼六：女学生
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan豪宅地下室僅限於男性，誰是被騙被迫和一個男人在一起像一個體大學生..,为了求生，西田最终放弃了人性尊严，回复原始野性的一面，而森田等人则在另一边透过摄影机拍下种种极端ＳＭ的情节，一套终极真实的SM电影将要诞生
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剧情简介
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan豪宅地下室僅限於男性，誰是被騙被迫和一個男人在一起像一個體大學生..,为了求生，西田最终放弃了人性尊严，回复原始野性的一面，而森田等人则在另一边透过摄影机拍下种种极端ＳＭ的情节，一套终极真实的SM电影将要诞生
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外星+人
柳俊烈,金宇彬,金泰梨,苏志燮,廉晶雅,赵祐镇,金义城,李荷妮,申正根,李时勋音乐之声
朱莉·安德鲁斯,克里斯托弗·普卢默,埃琳诺·帕克,理查德·海顿,佩吉·伍德,查尔敏·卡尔,希瑟·孟席斯-尤里克,尼古拉斯·哈蒙德,杜安·蔡斯,安吉拉·卡特怀特,黛比·特纳,基姆·卡拉思,安娜·李,波希娅·纳尔逊,本·怀特,丹尼尔·特鲁希特,诺玛·威登,吉尔克里斯特·斯图尔特,马妮·尼克松,埃瓦德妮·贝克,多丽丝·劳埃德,格特鲁德·阿斯特,弗兰克·贝克,史蒂夫·卡鲁瑟斯,山姆·哈里斯,多罗西·吉金斯,利奥达·理查德斯,杰弗里·塞尔,伯纳德·赛尔,诺尔曼·斯蒂凡斯,伯特史蒂文斯,玛丽亚·冯·特拉普校花与野出租
袁帅,蔡蝶,孙逢苑,王怡苏,孙小孟暗流低语
尼娜·凯莉,亚当·迪马科,Michèle Duquet,基娜·巴斯蒂达斯,容海峰,Ryan Turner,阿里·米伦,Marisol D'Andrea,Austin Tuason,Seled Calderon,Bianca Nugara,Jayda Woods,Sarah Beaudin,Christina Notto天启四骑士
丹尼斯·奎德,章子怡,卢·泰勒·普奇,小克利夫顿·克林斯死亡阴影
Gilles Barret,Margaux Devy,Sylvain Dubois人气佳作
导演精选
Y计划
人生低谷迫使两位女子偷盗数百万黄金——这是他们人生中最后一次生死攸关的冒险。 美善（Mi Seon）和道静（Do Gyeong）或许早已习惯在首尔江南区最危险的地段挣扎求生，但这并不意味着她们已经安于此地。除了彼此之外，两位好友只能拼命攒钱，想要摆脱危险的生活方式。然而，就在“退休”指日可待之际，世界却背叛了她们，粉碎了她们的希望。在绝路边缘，她们在江南区发现了一笔隐藏的财富，其中包括赃款和黄金——并将所有赌注押在了人生中最后一次豪赌上。
恶灵重丧
5个寄养兄弟姐妹团聚回忆，突然经历了一场灾难。最小的妹妹无法得救。事故发生后，四个兄弟姐妹被最小的妹妹吓坏了。灵媒说，小妹妹不冷静，她有话要说。四个兄弟姐妹发现了，这是什么？
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.