爱恋2015
曾携手莫妮卡·贝鲁奇和文森特·卡索以电影《不可撤销》轰动戛纳的导演加斯帕·诺携新作《爱恋3D》重返戛纳，影片聚焦一男两女的情欲爱情，新人男主卡尔·格洛斯曼单挑大梁，让影片备受关注。影片入围第68届戛纳电影节午夜展映单元和酷儿棕榈单元艾旦影视
在线播放
剧情简介
曾携手莫妮卡·贝鲁奇和文森特·卡索以电影《不可撤销》轰动戛纳的导演加斯帕·诺携新作《爱恋3D》重返戛纳，影片聚焦一男两女的情欲爱情，新人男主卡尔·格洛斯曼单挑大梁，让影片备受关注。影片入围第68届戛纳电影节午夜展映单元和酷儿棕榈单元艾旦影视
同类好片
邪猫劫
Toni Hudson,Eric Larson,Alex Cord痴迷
迈克尔·约翰斯顿,印达·纳瓦雷特,Cooper Tomlinson,梅根·劳利斯,安迪·里克特,Haley Fitzgerald,Darin Toonder,Chloe Breen,Anthony Pavone,Justice,Malcolm Kelner,Anthony Casabianca,Travis Beck,Kyle Blumenthal,Matthew Jackson非请勿进2026
阿德莱恩·鲁道夫,弗兰切丝卡·雷阿莱,尼古拉斯·汉密尔顿,杰克·曼利,哈维尔·博泰特,劳伦斯·欧弗林,布伦南·凯尔·库克,凯·卡斯特,沙恩·保罗·麦吉学园便利屋
古川登志夫,平松広和,関俊彦,荘真由美,塩沢兼人东北往事·极恶不赦
刘牧,陶慧,王小毅,丁宇佳,魏子千,李飞扬,梁靖晨 Jingchen Liang,丁海峰,张潮,葛四,吴尔渥毛骨悚然撞鬼经 2011夏季特别篇
片平渚,芦田爱菜,南泽奈央,户次重幸,武井咲,冈本梓,中山优马,向井理,木村文乃,半海一晃,稻垣吾郎导演精选
机器人艺妓
少女芳江（木口亚矢 饰）本是某艺妓馆内的低等侍女，她潜心伺候身为当家艺妓的姐姐菊奴（长谷部瞳 饰），但是菊奴对她颐指气使，绝情绝义。偶然机会，芳江过人的膂力被影野制铁的少爷影野光（斋藤工 饰）所发掘。影野制铁表面上是一家大型家族式钢铁公司，暗中则受命于国家，担负武器的制造工作。与此同时，其创始人影野拳山（志垣太郎 饰）怀有不可告人的野心，他四处网罗人生失意的女孩，将她们训练成美貌与杀伤力并重的艺妓杀手，甚至通过身体机械化改造来加强女孩们的实力。 懵懵懂懂的芳江与菊奴被骗进入影野制铁，姐妹俩更被迫互相残杀。在此过程中，她们为了超越对方而不断加强训练和改造，继而成为影野家族不可或缺的机器人杀手。然而随着任务的进行，芳江却渐渐发现亲情的珍贵以及影野家族的丑恶用心……
泰勒·汤姆林森：浪女回头
泰勒·汤姆林森（Taylor Tomlinson）在她的第四部喜剧特辑《浪子回头的女儿》（Prodigal Daughter）中，以一个关于解构信仰、处理宗教创伤、探索性取向和面对死亡恐惧的紧张新时刻回到了她的根本。
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster