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偶像大师 百万现场! ~终将,立于中央~
桐谷蝶蝶,小岩井小鸟,诹访彩花,山崎遥,田所梓,齐藤真知子,角元明日香,爱美,仁后真耶子,高桥智秋,中村源太围困4
尤里·索洛明,叶甫盖尼·列别杰夫,伊琳娜·阿库洛娃,弗拉季斯拉夫·斯特尔热利奇克,亚历山大·拉辛,鲍里斯·戈尔巴托夫,谢尔盖·哈钦科,Roman Gromadsky,Aleksei Presnetsov,米哈伊尔·乌里扬诺夫,丹尼尔·萨加尔,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛图欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir首都消失
渡濑恒彦,名取裕子,山下真司,江角英明,大泷秀治,石桥莲司,石野阳子,加藤治子,岸部一德,三木纪平,夏八木勋,龙雷太,相马刚三,丹波哲郎,津村鹰志,渡边文雄,财津一郎,海老名美どり校花与野出租
袁帅,蔡蝶,孙逢苑,王怡苏,孙小孟放飞旅行团
姜河那,金英光,车银优,姜泳锡,韩善伙吞噬星空剧场版决战原始星
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至尊马蒂
提莫西·查拉梅,格温妮斯·帕特洛,敖德萨·阿德隆,凯文·奥利里,泰勒·奥康马,桑德拉·伯恩哈德,阿贝尔·费拉拉,乔什·伯恩,亚历山大·布里尼策,丹尼斯奎里根,泰勒·戴蒙德,盖佐·罗赫里格,法兰·德瑞雪,弗朗西斯·杜莫里耶,凯文·埃克尔斯顿,约里斯·斯图克,克里斯蒂安·伊格弗丹斯,布莱克·吉奥维蒂,斯宾塞·格兰斯,托雷·希尔秩序的守护者
Cécile De France,Julien Boisselier灵魂摆渡之风华绝代
于毅,岳丽娜,何花,杨昆,倪虹洁,刘智扬阿里
安德拉尼克·马奈,帕斯卡尔·雷内里克,Théo Delezenne,Ryad Ferrad,伊娃·拉利耶,Lomane de Dietrich,Mikael Don Giancarli,克莱芒丝·库隆,Fabio Caron,Audrey Bonnet,克莱尔·博德森,苏菲‧卡达尼,Alphonso Scavo,Immanuelle Shékina,Isaure Bony Agoua,Melvil de Waegenaire,Tom Menanteau,Alexandre Auvergne,Serena拦截火狐狸
Robert Sampson,Will Bledsoe,乔·托克尔冰封之地
尼古拉斯·凯奇,约翰·库萨克,凡妮莎·哈金斯,凯瑟琳·拉·纳莎影视排行
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
勿扰警告
欧文·马肯,安娜·斯科莱姆,Tereza Srbova,Anthony Jabre一群朋友计划离开城市去海边度过一个轻松的周末,但事情发生了变化,一个年轻女子在一个偏僻岛屿的岸边向他们挥手求助。伸手救援便是致命的危险,他们不顾一切要逃离小岛。
菲律宾女孩
乔里贝尔·阿戈托,Joanna Marie Banua,安吉莉·芭雅妮,沙梅恩·布埃诺卡米诺,安娜·布金德,卡门·卡斯特利亚诺斯,Bullet Dumas,Teroy Guzman,Nour Hooshmand,阿戈特·伊西德罗,Pipay Kipay,Thea Marabut,米卡·戈麦斯,鲁比·鲁伊斯,伊莎贝尔·西卡特,卡洛斯·西古伊纳-瑞纳,Jewel Sotelo,Sunshine Teodoro,Elle Velasco故事发生在马尼拉一处精英高尔夫球场与乡村俱乐部的封闭生态中:在俱乐部打工的“发球童”伊莎贝尔对俱乐部主席帕兰卡医生产生难以名状的吸引,但当她逐步拼凑出俱乐部光洁表象下的暴力真相时,她意识到这段“迷恋”其实牵连着更阴暗的共同过往。
狄仁杰之彼岸奇花
陈浩民,尚娜,刘金,金宁,崔冬辰,陈宇星,刘威州狄武周天授元年,岭南潞州城司马孔成业迷恋修道炼丹,传闻找到了长生不老丹的药方,只缺一味名叫彼岸花的奇草。传言这是来自地狱的死亡之花,常年生长在坟冢幽谷之中,能致人产生幻觉,中幻觉者如妖邪附体般,发狂发癫,死状凄惨。 孔成业发出悬赏,采到彼岸花者,赏百金。山民猎户等纷纷进山寻找,连孔成业也带人到处扒坟冢、探幽谷。忙活的孔成业突然惨死,死前发狂。连他的几名参军也死相极惨,都说孔成业采到了彼岸花,被妖邪附身杀死,闹得满城风雨。潞州刺史陆英杰上报朝廷,恰逢狄仁杰巡查岭南诸州,女皇武则天命其前往潞州,全权调查此案.。