在线看
同款热播
死亡阴影
Gilles Barret,Margaux Devy,Sylvain Dubois法国青年克里斯（Fabian Wolfrom 饰），在他11岁时某个夜晚，哈雷彗星接近地球。似乎冥冥中有所感应，他的父母在当晚死于非命。此去经年，哈雷彗星再度接近地球，全世界人民寄予极大关注，各种或科学或玄学的猜测层出不穷，热议纷纷。对克里斯来说这颗星体的造访似乎没有什么特别的，但是他却发现周围人们的举止愈加怪异，人们越来越无法控制自己的情绪，各种暴力和暴动此起彼伏，在所谓的末日为降临前，众生已经陷入绝望的疯狂之中。彗星莅临当晚，克里斯受邀参加一个狂欢派对。谁知未过多久场面便完全失控，各种嗜血恶徒出笼，展开末日杀戮……
奇迹男孩
雅各布·特伦布莱,朱莉娅·罗伯茨,伊扎贝拉·维多维奇,欧文·威尔逊,诺亚·尤佩,丹妮尔·罗丝·拉塞尔,纳吉·杰特,戴维德·迪格斯,曼迪·帕廷金,布莱斯·吉扎尔,艾尔·麦金农,泰·孔西利奥,詹姆斯·休斯,凯尔·布瑞特科夫,米莉·戴维斯,莉娅·朱厄特,凯琳·布瑞特科夫,利亚姆·迪金森,艾玛·特伦布莱,马克·多兹劳,鲁奇娅·伯纳德,J·道格拉斯·斯图瓦特,阿里·利伯特,埃丽卡·麦基特里克,本·伊曼纽尔,杰森·麦金农,索尼娅·布拉加,吉洁特奥吉（雅各布·特瑞布雷 Jacob Tremblay 饰）是一个10岁的男孩，除了头戴一个巨大的太空头盔外，他和其他的同年龄孩子别无二致。头盔下隐藏了奥吉因为各种手术而伤痕累累的脸庞，它不仅完美的隐藏起了奥吉脆弱自卑的内心，也成功的防止了奥吉的模样吓到别的孩子。奥吉没有上过学，他的所有文化知识都是母亲伊莎贝尔（朱莉娅·罗伯茨 Julia Roberts 饰）在家教授给他的。然而，伊莎贝尔渐渐感觉到，家庭课堂无法满足奥吉的成长需要，除了学习知识，奥吉还必须学会的，是如何同除了家人以外的人交流。在忧虑重重之中，伊莎贝尔将奥吉送入了一间公立学校里，在那里，奥吉面临的是他人生中必须要战胜的挑战。
吊人游戏
阿尔·帕西诺,布兰特妮·斯诺,莎拉·夏希,卡尔·厄本,乔·安德森,杰梅因·里弗斯,谢勒·拉莫斯,迈克尔·帕帕约翰,斯蒂芬·考特尔,欧德莎·雷,朱尔斯·黑文,薇薇安娜·查维斯,马特·默丘里奥,迈克尔·罗斯,德韦恩·博伊德,斯洛恩·沃伦,乔恩·亚瑟侦探雷·阿切尔(阿尔·帕西诺饰)和他的搭档威尔(卡尔·厄本饰)联手追捕城市中最臭名昭著的连环杀手。而这名令人闻风丧胆的连环杀手实则用“Hangman ”(上吊的人)的猜词游戏犯案。
调味的房子
西恩·帕特维,安娜·沃尔顿,罗希·戴,凯文 霍华斯,杰玛·鲍威尔,丹尼尔·维维安,阿德里安·布薛特,Christopher Rithin,肖恩·克罗宁20世纪末，波黑战火笼罩的巴尔干地区。聋哑少女安吉尔（罗茜·戴伊 Rosie Day 饰）目睹了亲人邻居被武装分子残忍杀害的一幕，在此之后她也失去自由，与数名同龄女孩被掳至暴徒维克托（凯文·霍华斯 Kevin Howarth 饰）所盘踞的地狱之所。女孩们被迫沦为性奴，饱受摧残与折磨，生命卑微有如在暴风雨中摇曳的烛火。身处无声世界的安吉尔似乎得到上天微薄的怜惜，她每天的工作便是穿梭于各个房间，为女孩们擦拭血迹，注射药物，缓解疼痛，小小年纪却见识了人世间最残酷的景象。惨无人道且防守严密的人间炼狱，安吉尔决定带着姐妹们逃出生天。当杀母仇人格伦突然来到此地，一切走向失控的边缘…… 本片荣获2013年葡萄牙国际奇幻电影节影评人选择奖。
恶魔的艺术
阿丽莎·维尔斯,苏帕克森·柴蒙蔻,特林·赛塔欧克,克朗通·拉查塔万,颂猜·沙图吞,埃萨拉·奥查库,尼鲁·素查,克里塔尤德·蒂姆纳特,鲍勃·布克霍尔兹,雪莉·嘉森,桑迪·福克斯,艾尔维亚·盖坦,格兰特·乔治,尤里·洛文塔尔,戴夫·麦罗,苏珊·马奎,布莱斯·峇本布鲁克,塔拉·普拉特,萨姆·里格尔,克莉丝汀·卢瑟福,菲利斯·桑普勒,斯蒂芬妮·社,史蒂夫·斯塔利,道格·斯通,丹·沃伦影片围绕着一个家庭遭到情妇利用"黑色巫术"复仇的故事展开.讲述了一个百万富翁全家人被神秘而诡异的地杀害。没有丝毫线索; 无法找到可以指证的凶手。神秘而恐怖的死亡令所有人为之困惑。一位罪案报道记者参与进此案的调查, 发现一个美貌的女人有可疑。他该如何向所有人证明她就是那个一直隐藏着的、并且擅长"魔鬼的艺术"的情妇? ...
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.