妻子做了妓女

9.1 播放:96万 2026-06-04
主演: Yôichi/Takabayashi/

       尽管年龄相差悬殊,住在京都的大学教授户田和裕子关系非常亲艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。一天,裕子为丈夫前往东京与出版商町田洽谈业务。她突然心神不宁,在一家精品店行窃。被店员发现后,她供出了住在东京的昔日同学久仁子的姓名和地址。几天后,她接到久仁子的恐吓电话,命令她周二去东京,因为那天久仁子要去北陆出差教书。久仁子强迫她去了一家名为“屋久”的高级妓院。久仁子嫉妒美丽贞洁的裕子,计划勾引她。一位举止优雅的绅士命令她,尽管裕子奋力反抗,他还是强奸了她。回到京都后,裕子仍然无法忘记妓院的经历,并且对与丈夫的性生活产生了异常的性欲。从此,裕子开始每周二都去东京。被顾客称为“星期二女人”的裕子沉迷于妓女的生活。与此同时,户田对裕子异常开朗的行为感到怀疑,委托侦探事务所调查她,却对调查报告置之不理,继续与她保持着性关系。同样对裕子心生爱慕的町田从朋友那里得知,裕子在宅邸里很受欢迎。他心生虐待倾向,邀请户田到京都与“星期二女人”寻欢作乐。户田前往东京,来到宅邸,在那里见到了裕子。户田怒火中烧,将裕子殴打致死并强奸了她,但两人很快相视一笑,仿佛彼此心意相通。町田在外面等候时,户田告诉他:“那个女人不是我的妻子。”接下来的星期二,町田再次来到宅邸,点了“星期二女人”,但裕子却说她已经退出了。在京都,户田夫妇继续过着仿佛什么都没发生过的生活。

在线看

同款热播

假装热情

郑在泳,朴宝英,吴达洙,卓在勋,柳贤静,柳德焕,陈庆,尹均相

  《职场大翻身》改编自李慧林的同名小说,曾执导过《创可贴》的导演郑基勋亲自改写了剧本并执导,联同演技级人马演员郑在泳、新生代人气女星朴宝英、老戏骨吴达秀、裴成宇、柳德焕等实力派连袂主演。电影讲述一名体育报社演艺部记者在采访现场孤军奋战的成长故事。电影中朴宝英饰演的新人实习记者「杜丽熙」在报道娱乐事件的过程中卷入新闻的漩涡而逐渐锻炼成长。郑在泳饰演的是朴宝英的上级「河在观」,是娱乐部的「定时炮弹」不知道何时就会「爆炸」,两人会有怎样的合作火花也令影迷非常期待。  杜丽熙(朴宝英饰)是社会新鲜人的代表,为了在战场一样的职场中生存下来而绞尽脑汁费劲心理,然而却因为没有经验而屡屡闯祸。她梦想着成为成功职场女性,高喊着有热情就有一切的口号,然而现实却是手里的每件事都搞砸。杜丽熙作为见习记者开始了工作,本以为只要进了公司人生就会变得一帆风顺,但她却遇到了像“定时炸弹”一样的上司(郑在泳饰),第一天上班就被安排出去外采,什么都不懂的她只能跌跌撞撞地自己摸索,而意料之外的种种困难让她想到辞职。

无法在你的脸上哭泣

芳根京子,高桥海人,西川爱莉,武市尚士,中泽元纪,前原滉,林裕太,大塚宁宁,赤堀雅秋,片冈礼子,山中崇

本片改编自同名小说,故事始于高一夏天,坂平陆(高桥海人 饰)与水村真奈美(芳根京子 饰)在泳池事故后灵魂互换。两人坚信能恢复原状,苦寻方法,然而15年过去,依旧未能换回。升学、初恋、就业、结婚、生子,他们只能以彼此的身体走完人生重大节点。直到30岁那年夏天,真奈美突然说:“我或许知道怎么换回来了。”命运的齿轮,开始再次转动——

审判游戏

阿米达普·巴强,埃朗·哈斯米,Krystle D'Souza,雷亚·查克雷伯蒂

  An 80-year-old man with a penchant for real life games in a story about rights and wrongs. It's a story about the decisions one makes in their lifetime and the fact that every decision has its repercussions, hearing and judgment.

等待方舟

耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

美满姻缘

琼·艾伦,安东尼·拉帕格利亚,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,罗伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers

  与丈夫(安东尼·拉帕格利亚饰)庆祝完结婚25周年后不久,丈夫出差在外,达西(琼·艾伦)在车库找电池,却无意中发现丈夫就是新闻中说的“臭名昭著的连环杀手比蒂”。  影片的小说蓝本是金2010年出版的短篇小说集《暗夜无星》(Full Dark, No Stars)中的一篇。金在接受采访时说,小说的灵感来自于2005年被捕的美国“BTK连环杀手”丹尼斯·雷德(Dennis Rader),他就有一位结婚三十四年的妻子宝拉(Paula),对他的杀人行为毫不知情。金表示,小说探讨的是,人与人之间永远不可能完全了解,即使是最爱的人也一样。

牛排

埃里克·朱多尔,朗齐·贝迪亚,乔纳森·朗贝尔,Vincent Belorgey,Sebastian Akchoté,Laurent Nicolas,Sébastien Tellier,Alain Gendreau,Mark Latrémouille,Marie-Claude Michaud,雨果林·什维特·兰黛斯科,Caroline Bernard,Steve Barry

  George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At the day of his release, Blaise realizes he only has one family: his best friend George. But he does not want to hear about his childhood friend, as he tries to integrate with the "Chivers" a gang whose members wear red jackets and boots, drink milk, drive sport trucks and play an incomprehensible and violent game that mixes cricket and mental arithmetic.