脸Visage
荷兰艺术猛片，中西合璧影片；一位台湾导演被邀请到罗浮宫，拍摄圣经故事「莎乐美艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他坚持邀请心仪已久却传闻精神状况不佳的法国影帝尚皮耶李奥，演出剧中辗断圣施洗约翰头颅的希律王。这部低成本的製作为顾虑电影票房，硬著头皮请来国际名模演出莎乐美。 影片才刚开拍就状况连连。牡鹿神秘失踪、希律王撞断鼻梁、莎乐美和圣施洗约翰在戏外交构、罗浮宫内拿破崙厅导演小康在杜乐利花园的密林激情中，接到母亲过世的电话通知，女製片也随之飞往台北参加葬礼。阴沉的旧公寓裡，母亲的鬼魂迟迟不肯离去。所有的工作人员，陷入一个漫长的等待。 电影终于又要继续拍摄，戏裡戏外的角色开始模糊，一群著莎乐美华丽古装戏服的明星，在罗浮宫满载艺术灵魂的厅廊、暗室、古道中穿梭，彼此寻找著每个人心中的莎乐美
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剧情简介
荷兰艺术猛片，中西合璧影片；一位台湾导演被邀请到罗浮宫，拍摄圣经故事「莎乐美艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。他坚持邀请心仪已久却传闻精神状况不佳的法国影帝尚皮耶李奥，演出剧中辗断圣施洗约翰头颅的希律王。这部低成本的製作为顾虑电影票房，硬著头皮请来国际名模演出莎乐美。 影片才刚开拍就状况连连。牡鹿神秘失踪、希律王撞断鼻梁、莎乐美和圣施洗约翰在戏外交构、罗浮宫内拿破崙厅导演小康在杜乐利花园的密林激情中，接到母亲过世的电话通知，女製片也随之飞往台北参加葬礼。阴沉的旧公寓裡，母亲的鬼魂迟迟不肯离去。所有的工作人员，陷入一个漫长的等待。 电影终于又要继续拍摄，戏裡戏外的角色开始模糊，一群著莎乐美华丽古装戏服的明星，在罗浮宫满载艺术灵魂的厅廊、暗室、古道中穿梭，彼此寻找著每个人心中的莎乐美
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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.