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愚者的身份
北村匠海,绫野刚,林裕太,山下美月,矢本悠马,木南晴夏彼岸2025
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胡伯托·巴斯托,Erick Trinidad Camacho,Santiago Mendoza Cortes,Adrián Ladrón de Guevara,Enrique Mendoza,埃尔南·门多萨,劳尔·门德兹人体乱码
Michael Eklund,Karoline Herfurth,Tómas Lemarquis平原上的迷途
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黄氏·塞缪尔·安,Thien An,红桃,Nguyen Thuc Thuy Tien北京猿人
绪形直人,王祖贤,哀川翔,丹波哲郎,坂上忍,小野贤章月球叛军：火之女
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袁福福,王培祎,王青,王纯,邵峰,付宏声,卢勇,何承熹,宋建霖幕后花絮
选择之她·他
一个选择，两种人生轨迹。她的故事，还是他的真相？
好像一切都很糟糕
Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster