爸爸之爱
妻子・纱枝把四姊妹中的两人戴著离家出走的木崎艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。留下了春树与冰华，彩芽三人总是在爭吵，被当成整天只会自慰的精液制造机的爸爸…。三人之间会演变出怎样的情事呢？！
在线观看
剧情提要
妻子・纱枝把四姊妹中的两人戴著离家出走的木崎艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。留下了春树与冰华，彩芽三人总是在爭吵，被当成整天只会自慰的精液制造机的爸爸…。三人之间会演变出怎样的情事呢？！
暗夜精选
壮志千秋
理查德·迪克斯,艾琳·邓恩,埃斯特尔·泰勒,南斯·奥尼尔海底军舰
高岛忠夫,中村哲,藤山阳子,藤木悠,佐原健二,上原谦,小泉博,田崎润,田岛义文,平田昭彦谎岛美人鱼
温碧霞,禾浩辰,归亚蕾,庹宗华,董至成,刘国劭,雷艾美,吴大维,黄诗棋严惩
瑞恩·菲利普,泰格·诺塔洛,乔伊芙·德雷克,Hakim Callender,詹姆斯·杜蒙特,Stephen Louis Grush,拉斯·拉索,Ian Barford,Ramona Tyler,Skipper Landry,Heidi Brook Myers,Michael Boyne,Forrest Forte,Katie Sills,Zac Cino鬼影实录：东京之夜
中村苍,青山伦子多诺万的脑袋
刘·艾尔斯,吉恩·埃文斯,南茜·戴维斯,斯蒂夫·布罗狄恐怖买家
劳伦·拉维拉,Neal McDonough,Alicia Witt,Djimon Hounsou,吉娜·菲利普斯,David Call,Michael Lombardi同系列推荐
寒栗第二季
达妮察·丘尔契奇,米克尔·福尔斯加德,苏菲·格拉宝,卡廷卡·莱尔克·彼得森,厄兹勒姆·萨格拉马克,埃斯特·伯奇,安德斯·霍夫,米歇尔·比约恩-安德森,克里斯托弗·斯瓦内,梅特·弗兰克,安德斯·布林克·马德森,维利·武尔夫·博托夫特,埃拉·约瑟芬·隆德·尼尔松,比约克·斯托姆,玛蒂尔德·尤西比乌斯,伊达·塞西莉·拉斯穆森,优素福·韦恩·维特费尔特,安德斯·尼博格,弗雷德里克·曼瑟,丹·扎赫勒奇幻变身大冒险
迈克尔·B·乔丹,朱诺·坦普尔,崔西·摩根,塞德里克·凯尔斯,内森·格雷诺,贾斯蒂娜·马查多,Joan Ryan,Antwinette Mccloud,Camden Brooks化身博士
弗雷德里克·马奇,米利亚姆·霍普金斯,罗丝·霍巴德,福尔摩斯·赫伯特银行抢劫案
杰森·斯坦森,萨弗蓉·布罗斯,斯蒂芬·坎贝尔·莫尔,丹尼尔·梅斯,詹姆斯·福克纳,阿尔基·戴维,迈克尔·吉普森,乔治娅·泰勒,理查德·林特恩,彼得·鲍勒斯,埃利斯戴尔·皮特里,哈蒂·莫拉汉,朱利安·刘易斯·琼斯,安德鲁·布鲁克,鲁珀特·弗雷泽,克里斯托弗·欧文,凯莉·霍威,唐·加拉格尔,克雷格·法布拉斯,杰拉德·霍兰,罗伯特·怀特洛克,大卫·苏切,彼得·德·杰西,约翰·迈尔斯,科林·萨蒙,莎朗·摩翰,雷·尼古拉斯,杰米·肯纳,安格斯·瑞特,马克·菲尼克斯,朱利安·弗思,鲁珀特·范西塔特,布隆森·韦伯,奥马校园鬼谈
อาไท กลมกิ๊ก-สุภทัต โอภาส,สุชาติ แคปเจอร์-สุชาติ จันทร์แก้ว致命录像带
Calvin Reeder,莱恩·休斯,亚当·温加德,Hannah Fierman,Mike Donlan,Joe Sykes,Drew Sawyer幕后花絮
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
月球奇幻旅
肖恩·利维将再次合作老搭档二十世纪福斯，执导新片[陨石坑](Crater，暂译)，利维也将约翰·J·格里芬执笔的原创剧本进行改编。故事被描述为科幻版的[ 伴我同行 ]，讲述在月球殖民地长大的男孩，和三个小伙伴共同前往一处神秘陨石坑探秘，不料却发生意外。影片剧本曾经入选2015年“好莱坞剧本黑名单”。