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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
蒋家河口战役打响了新四军抗战的第一枪,也是新四军挺进敌后打伏击的第一仗。此役以少克众,以弱胜强,孤军深入,出奇制胜,给了嚣张跋扈、不可一世的日本侵略者一个结结实实的下马威,极大地鼓舞了中国军民的抗战斗
故事背景发生在抗日战争时期,主角郭东是一名兽医,他的妻儿惨遭日本兵杀害,从此躲到了草原边陲的一个小镇上,过着惶惶不可终日的生活。郭东的自暴自弃使得他与当地人产生许多矛盾。就在此时,一名蒙古族孕妇的生命危在旦夕,众人无奈之下求助郭东,郭东在新生命的洗礼和蒙古族战士的感染下,重新明白了"英雄"的意义,完成了自我救赎。
一名叫车司机在逃离犯罪老大时被一名罪犯劫持,引发了一系列事件,使他们的生命处于危险之中。