内衣杀人案
LeeHa-yeonisthewifeoftheheirtoIlsinGroupandshehasitall:afancypenthouse,aluxurycarandeverythingelse.LeeHa-yeongetsdiscoveredpoisonedanddeadinahotelroom.Investigationstakeplaceundersecrecyandoutofearsfromthemedia.Butthecaseismysterious.Noprintsofthemurdererisfoundinthehotelroom.Therearenotsignsofbrokenentryeit..海外影视
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血爱杀手
平采娜·乐维瑟派布恩,塔纳波·里拉塔纳卡邹,西瓦功·阿达苏提坤噬童魔
杰西卡·麦丽奥德,Hannah Cheramy,约翰·埃梅特·特雷西,Jana Mitsoula,格内维夫·布彻纳,Connor Stanhope,乔安娜·纽马奇,Craig March港之光
馆博,尾上真秀,真荣田乡敦,黑岛结菜,斋藤工,泷正则,一之濑亘,山野仁,赤堀雅秋,市村正亲,宇崎龙童,笹野高史,椎名桔平相遇之家
宋智孝,都嬴谞,玉智英,尹惠利美满姻缘
琼·艾伦,安东尼·拉帕格利亚,克里斯汀·康奈利,史蒂芬·朗,Theo Stockman,Brady Bryson,提莫斯·J·考克斯,Jason Testa,Gregg Micheals,Pun Bandhu,Brian Patrick Murphy,罗伊·哈特拉姆,Kris Lundberg,Stephen Sapienza,Will Rogers网络迷宫
克里斯多弗·兰伯特,迭戈·阿巴坦托诺,斯特凡妮娅·罗卡同类推荐
杯酒人生
保罗·吉亚玛提,托马斯·哈登·丘奇,维吉妮娅·马德森,吴珊卓,玛丽路易丝·贝克,杰西卡·赫特,米茜·多蒂,迈克·康纳·盖尼,阿莱西娅·雷纳,谢可·图克马尼安,肖恩·杜克,罗伯特·科瓦吕比亚,派崔克·盖勒,斯蒂芬妮·法拉希,乔·马里内利,皮特·丹尼斯,菲尔·里夫斯,莱茜·雷迈尔斯（保罗•吉亚玛提 Paul Giamatti 饰）和杰克（托马斯•哈登•丘奇 Thomas Haden Church 饰）是老朋友了，看着杰克即将踏入婚姻殿堂，迈尔斯更加感叹起自己失败的生活：婚姻失败、作家梦遥不可及、干着无聊枯燥的职业、不再年轻的岁数。迈尔斯对葡萄酒的研究颇为深厚，于是两个人决定前往加州的葡萄酒生产基地狂欢一次，如果遇上一夜情当然是最好不过了。 果然二人在酒香浓郁的加州遇上了女招待和她的亚裔朋友，迈尔斯和杰克的艳遇让两人都兴奋不已。然而接下来的事情却大扫兴致。他们的狂欢计划充满了障碍。
派对岛上的危险
林赛·德雷斯巴赫,Andrea Prevatt,James Bobo,Kate Dailey性格内向的律师梅尔·戴尔得知她爱冒险的妹妹突然去世后感到悲痛欲绝。但当她前往收集姐姐的尸体时，她很快就怀疑有人谋杀。她可能是下一个。
暗夜呢喃
Stephen Blackehart,Mark Colson,Lance J. HoltBased on the H. P. Lovecraft story of the same name, a folklorist investigates reports of unusual creatures in Vermont only to uncover more than he bargained for
步履不停
阿部宽,夏川结衣,江原由希子,高桥和也,田中祥平,野本萤,林凌雅,寺岛进,加藤治子,树木希林,原田芳雄“人生路上步履不停，为何总是慢一拍”。位于偏远小镇的横山一家，生活平静祥和。父亲恭平（原田芳雄 饰）是业已退休的医生，却时时牵挂小镇诊所内的事务。长子纯平继承了父亲的事业，却在15年前为救落水儿童而溺水身亡。次子良多（阿部宽 饰）与父亲意见相左，执意前往异地当起了绘画修复师。多年的打拼换来的却是失业，困顿的良多与带着孩子的由香里（夏川结衣 饰）结婚，相互扶持，继续生活。又逢纯平的忌日，良多和姐姐千奈美（YOU 饰）带着家人分别赶回家中。平静的横山家再次热闹起来……本片荣获2009年蓝丝带最佳导演奖和最佳女配角奖（树木希林）、2008年报知电影和2009年电影旬报最佳女配角（树木希林）、2009年每日电影奖最佳男主角（阿部宽）、2008年马塔布拉塔国际电影节评审团大奖和最佳影片。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.