灭门惨案2：借种
阿秀（郑艳丽饰）和阿剑（吴毅将饰）本是恩爱夫妻，却苦于没有子嗣，于是决定南下接种，由此认识了阿军（刘的之饰）。谁知道，两人的计谋被阴险狡诈的洪震（何家驹饰）撞破，洪震绑走了阿秀，向阿剑勒索巨款。在洪震处，阿秀遭受着非人的待遇，得知此事的阿剑十分愤怒，找上门来想要报仇。勤恳老实的阿剑哪里是洪震的对手，最终，阿剑遭到了洪震的设计，丢了性命。悲痛之中，阿秀终于明白此仇唯有依靠自己的双手才能报偿，于是找到了阿军，不惜一切代价求他帮忙，然而，阿军人面兽心，将阿秀吃干抹净之后居然反悔。在公安所所长龙传人（廖启智饰）的抽丝剥茧之下，一个充满了人性纠葛的故事渐渐浮出水面海外影视
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迈克尔·科瓦尔斯基,Morgan DeTogne,Daniel Titmuss,Emma Jessop换皮
瑞贝卡·福斯蒂,露西·阿伦,芭芭拉·克兰普顿,Sean Knopp,阿德南·马拉尔特工迷阵
杰森·莫玛,戴夫·巴蒂斯塔,莫蕾娜·巴卡琳,雅各布·贝塔隆,特穆拉·莫里森,克莱斯·邦,弗兰基·亚当斯,石原崇雅,斯蒂芬·鲁特,大卫·赫克里·肯努·贝尔,Mark R Black,Marris Collins,马卡纳·大卫,迈克·爱德华,萝伊玛塔·福克斯,玛雅·凯洛哈,Cyndi Mayo-Akeo,Cyndi Mayo,斯蒂芬·欧阳,莉迪亚·佩克汉赎命
Leslie-Anne Huff,Roy Werner,Kimberly Estrada,陈奕迅,Lee Perkins鬼裂面
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影视排行
芭比真人版
玛格特·罗比,瑞恩·高斯林,亚美莉卡·费雷拉,阿丽亚娜·格林布拉特,凯特·麦克金农,海伦·米伦,威尔·法瑞尔,伊萨·雷,哈莉·尼夫,艾玛·麦基,亚历山德拉·希普,莎朗·鲁妮,妮可拉·考夫兰,迈克尔·塞拉,康纳·斯温德尔,舒提·盖特瓦,刘思慕,金斯利·本-阿迪尔,斯科特·埃文斯,杜阿·利帕,约翰·塞纳,雷亚·普尔曼,里图·阿亚,安娜·科鲁兹·凯恩,埃默拉尔德·芬内尔,詹米·德米特鲁,安·罗斯,玛瑞萨·阿贝拉,妮基塔·查达哈,安妮·玛莫罗,麦肯纳·罗伯茨,汉娜·卡利克-布朗,斯特林·琼斯,黛布·海特,杰西卡·在梦幻浪漫的芭比乐园里，美丽自信的芭比们每日过着快乐无忧的生活，她们活跃在每一个工作岗位，肯是点缀，女孩的聚会才至关重要。直到某一天，我们的主角芭比（玛格特·罗比 Margot Robbie 饰）突然提到了生死，她的完美生活毫无征兆发生改变。她的口气不再清新，面容开始犹豫憔悴，也无法轻盈地从顶楼飘落下来。经前辈点播，她意识到人类世界某个人和她建立着联系，而那个人的心境似乎正投射到芭比的身上来。为了找回曾经的完美生活，芭比和肯（瑞恩·高斯林 Ryan Gosling 饰）辗转来到现实世界，并经过一番波折见到了葛洛莉娅（亚美莉卡·费雷拉 America Ferrera 饰）母女，而肯也在见识到男权社会的魅力之后，心中升起要改变芭比乐园的念头……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
地下角斗士
戴拉·绍,黎唯,黎明Duke and Yan, two long time rivals, are competing in the world’s most dangerous underground fighting tournament, where powerful crimelords can gamble and influence who they fight, the terrain they fight on and what weapons will be used. In this high-stakes bloodsport where one wrong move can mean certain death, they must decide whether to play by the rules or to cast their honor aside and team up against the dark syndicate running the tournament and bring the entire system down.
格拉德贝克人质事件
萨沙·亚历山大·吉尔萨克,亚历山大·谢尔,Marie Rosa Tietjen,阿尔布雷希特·舒赫故事发生在1988年的德国，汉斯（萨沙·亚历山大·吉尔萨克 Sascha Alexander Geršak 饰）和迪特（亚历山大·吉尔 Alexander Scheer 饰）抢劫了位于北威州格拉德贝克的德意志银行，并且劫持了两名银行职员作为人质，带着他们一起踏上了逃往的旅途。 很快，负责此案的迈泽警探就展开了对于汉斯一行人的追捕。为了钳制警方，汉斯的女友玛丽昂（Marie Rosa Tietjen 饰）又劫持了一辆载有三十名乘客的公交车，来帮助男友脱离警方的追捕。因为歹徒手中的人质数量众多，导致德国警方迟迟无法下手，引来了舆论和媒体的不满，与此同时，迪特在一次意外中射杀了年仅14岁的少年曼纽埃尔，这场死亡事件将整个故事推上了高潮。