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夺魂医生
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袁泉,耿乐,宁静,俞飞鸿,齐溪,陈冲,孙悦,史可,余皑磊,李大光,杨子姗,刘雅瑟,窦靖童,马书良,焦刚,胡明村民总动员
阿图尔·巴奇斯,Angelika Cegielska-Swiatek,菲利普·古拉克斯,Mateusz Janicki,Piotr Pregowski,Anna Seniuk,安娜·希曼奇克,乔安娜·特兹佩西丝卡,Cezary Zak,维克多·兹波罗夫斯基情棺
刘尚麟沙漠战士
安东尼·麦凯,本·金斯利,艾莎·哈特,沙尔托·科普雷,纽曼·阿卡,盖佐·罗赫里格,加桑·马苏德,塞米·鲍亚吉拉,纳比勒·埃卢比,拉姆齐·法拉加拉,Saïd Boumazoughe,哈基姆·卓马,拉米斯·阿马尔,大卫·索尔塔尼,Omar Al-Atawi同类精选
非传统浪漫关系
朱颜曼滋,任彬,赵小棠,王天放,于谨维,王劲松,金广发,王勉,颜安,赵夕汐,孙丞潇 ,张帆,钱迪迪,汪曲攸,邓飞,于小彬,丁文博,牛犇,葛兆美痊愈
Stephanie Pearson,Hope Quattrocki,Liz Fenning杀戮元凶：狙击手
拉斯·米克尔森,雅各布·克德格恩,劳拉·巴赫,拉克·温特·安德森,佛雷克·米德·诺高,拉斯·兰特,Peter Pilegaard一一
吴念真,李凯莉,金燕玲,张洋洋,萧淑慎,尾形一成,陈希圣,林孟瑾,陈以文,柯宇纶,张育邦,柯素云,唐如韫,徐淑媛,曾心怡,陶传正我家的事
蓝苇华,高伊玲,曾敬骅,黄珮琪,朱羿铭,姚淳耀,严艺文,郑有杰四川好女人
何苇杭,赵若冰影视排行
怪谈晚餐
朴昭怡,刘多仁,尹贤旻,张光,李周英,金周灵,高恩敏,李素英,吴承姬,张睿恩,张丞延,金太竣,潘素英,申银秀,金浩贞,金东英,申文成,金太勋,赵在允,崔秀林,朴真雅这部电影将六个故事组合成一个综合系列，描绘了由于人类错误的欲望而发生的奇异事件。
他年她日
许光汉,袁澧林,陈泽耀,韩佩瑶,董玮,陈辉虹,骆振伟,许恩怡,谢咏欣在一场世纪大地震后，矗立于海中央的“重力墙”将世界一分为二，形成两个不同的时区和重力环境，“优日区”的一天，是“长年区”的一年。长年区长大的薯仔（许光汉 饰）对来自优日区的实习医生安晴（袁澧林 饰）一见钟情，面对时间和地理的巨大阻碍，薯仔和安晴用尽全力双向奔赴，以年思念，以日相见。在失衡的时空里，他们能否坚定地爱到最后，守护这场刻骨铭心的爱恋？
糖果 슈가
崔智友,高东河作为程序员工作的职场妈妈米拉，11岁的儿子东明突然被判定为“1型糖尿病”，受到冲击。医生说她一辈子都要注射胰岛素，对此她感到绝望，但她忍住眼泪站了起来。米拉活用自己曾是工程学专业的专业，引进国内未上市的连续血糖测定仪，给东明戴上，并联动监护人远程监测血糖。有采血恐惧的东明使糖尿病管理变得容易，米拉的家人从低血糖休克的焦虑中解放出来。在环友会会员的请求接踵而至后，米拉开始告诉孩子们如何直接进口并联动连续血糖测定仪，以帮助他们和儿子遭受同样的疾病。但是，米拉被指控是未经许可的非法医疗器械，在没有通关的情况下进口，没有交税。……为了家人，为了欢友会，她与世界对抗的故事将展开。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster