[台湾_三级]和尚的一场春梦
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疯狂喜剧人
王一,童苡萱,盖雨嘉青年王二怀揣电影梦屡遭拒绝，女友也失望离去。他带着记录村民故事的笔记本回到家乡，用真诚打动乡亲们凑成草台班子，拍摄属于他们自己故事。面对城市资本的诱惑，他选择守护村里的根。最终电影上映，他与支持他的小梅开起喜饼店，把平凡日子过成了真实的甜。
领养惊魂
约翰·库萨克,蕾切尔·勒费夫尔,瑞恩·菲利普,路易斯·古兹曼,杰基·韦佛,伊莎贝拉·阿德里亚尼,Blas Diaz史蒂芬（瑞恩·菲利普）与莎伦（蕾切尔·李费佛）来到波多黎各，打算接走通过中介收养的海地小女孩妮娜。他们在旅馆结识了穿着防风衣，头发乱糟糟的本杰明（库萨克）。六万元的费用付出手，妮娜却突然失踪，领养中介的工作人员不翼而飞，网站也无法打开…… 当地警察告诉他们，两人是中了钓鱼诈骗的圈套，以收养孩子为诱饵，拿到收养费后就把孩子带走，再去寻找下一个受害人。然而夫妇俩的厄运还没完，本杰明似乎是看准了两人是条大鱼，把他们监禁起来，要榨光他们所有的积蓄。
西区故事
安塞尔·艾尔高特,瑞秋·齐格勒,阿丽亚娜·德博斯,大卫·阿尔瓦雷茨,迈克·费斯特,寇瑞·斯托尔,布莱恩·达西·詹姆斯,丽塔·莫雷诺,寇蒂斯·库克,凯文·科索拉克,麦迪·齐格勒,朱利叶斯·卢比奥,杰米·哈里斯,阿蒂夫·拉尼尔,何塞·拉蒙·罗萨里奥,克丽丝·怀特赫德,凯尔·艾伦,塔莉娅·莱德,贝尔·迈克尔斯 ,哈维·埃文斯,戴维·比恩,凯尔·休斯,基思·勒克里德·哈里斯电影改编自1957年的百老汇音乐剧，讲述了20世纪50年代纽约街头的“喷气机帮(Jet)”和 “鲨鱼帮(Sharks)”之间的争斗，以及分属不同帮派的“苦命鸳鸯”托尼（安塞尔·埃尔格特 饰）和玛丽亚（瑞秋·齐格勒 饰）的爱情。
猪猪侠大电影之竞速小英雄
在这场前所未有的时空竞速里，猪猪侠和星航这对“最佳损友”驾驶着星际列车穿越时空回到过去、他们能否可以扭转命运，在最终的赛场上改写结局，守护赛车梦想？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
春光乍泄
张国荣,梁朝伟,张震,格利高里·戴顿黎耀辉（梁朝伟）与何宝荣（张国荣）是一对同性恋人，为了有新的开始，他们怀着美丽的梦想（去看南美洲大瀑布）离开香港来到阿根廷，却在布宜诺斯艾利斯迷了路。黎耀辉想安下心来过日子，无奈何宝荣于夜夜笙歌中放纵着自己的生命，以期找寻更多的刺激，只当黎耀辉是他受伤后的港湾，两人分歧 、争吵越来越多，心的距离越来越远。黎耀辉明白过去的日子不可能再复返时，决定离开何宝荣，而正是在他离开后，绝望的意味（对黎耀辉的爱）才在何宝荣的脑海中完整地浮现。