要的就是你！Ｘ片女王
艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuanThe queens of bomba movies Alma Moreno, Ara Mina, Maui Taylor and Rosanna Roces are back to search for the next Philippine pornstar featuring new breed of sexy temptresses: Sab Aggabao, Cara Gonzales, Ayana Misola, Stephanie Raz.
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阳光姐妹淘2011
沈恩敬,闵孝琳,姜素拉,南宝拉,陈熙琼,金时厚,柳好贞,朴真珠,李妍京,金甫美,千玗嬉,李璟荣25年前，高中生任娜美（沈恩京 饰）一家从全罗道搬到汉城，娜美入读真德女子高中，因方言浓重怯于开口的娜美幸运的得到了同班大姐头夏春花（姜索拉 饰）的维护，并与围绕在夏春花周围的执着于双眼皮的金玫瑰、满嘴脏话的黄珍熙、梦想成为作家的徐金玉、要成为韩国小姐的俞福姬以及沉默傲慢的美人郑秀智等五人结识。在一次和不良少女团对决之后，春花和娜美等七人组成了“Sunny”团体……多年以后，家庭主妇娜美在去医院探望母亲时偶然重逢了身患绝症住院的春花，后者希望在生命的最后两个月内，能够再见当年的Sunny成员。娜美找到金玫瑰，两人委托私家侦探寻找当年的同伴，而那些关于青春的回忆，也在一个个熟悉的名姓后面再次被唤醒。
喋血密令
李琦,马心怡,徐箭,孙学增,来钰明正德年间，禁卫百户耿烈因钦差被杀贬为捕头。此时宁昌府发生连串命案，波及宁王寿宴，耿烈奉命追查。为宁王献画富商被毒杀，刺杀钦差的女杀手再次出现，这一切让耿烈意识到宁昌府酝酿的风暴，将会改变大明的朝局。
地缚
拉菲·斯波,詹·穆瑞,大卫·莫瑞瑟Joe is an Alien on Earth. At least that is what his father told him before he died when Joe was eleven. He finds it difficult to adjust, and to find a compatible girl friend
伟大的觉醒
John Paul Sneed,乔纳森·布莱尔,Josh Bates,Joe Dignoti,Stephen Foster HarrisExploring the friendship between renowned preacher George Whitefield and Benjamin Franklin, and Whitefield's impact during the pivotal Great Awakening religious movement.
世外逃劫
锡德·卢塞罗,碧优缇·冈萨雷斯,詹姆斯·布兰科丧尸危机爆发后，一家人躲到一处偏僻的农场。然而，当他们在这个荒凉的世界求生时，隐藏多年的痛苦秘密给这家人造成了巨大阴影。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.