绿帽人妻
结婚数年的明日香，依旧对的她十分痛艾旦影视,海外影院,海外影视,海外YY,海外抢先电影,海外手机影院,海外影院APP,海外中文影视,海外影视网,海外华人影院,海外影院tv,蛋蛋电影网,海外福利影院,haiwaiyingyuan。在某个欲火焚身的夜晚后，她也对这段一夜情感到十分内疚。
在线看
同款热播
曼克
加里·奥德曼,阿曼达·塞弗里德,莉莉·柯林斯,查尔斯·丹斯,艾利斯·霍华德,汤姆·派福瑞,塔彭丝·米德尔顿,汤姆·伯克,杰米·麦克沙恩,莱文·兰宾,托比·莱昂纳德·摩尔,山姆·特劳顿,约瑟夫·克罗斯,艾维·约斯特,亚当·沙皮罗,费迪南德·金斯利,保罗·福克斯,娜塔莉·丹尼斯·斯皮尔,里克·帕斯夸隆,保罗·卡拉夫特斯,克里斯蒂安·普伦蒂斯,约翰·李·艾姆斯,金斯顿·凡尔内斯,克莱格·罗伯特·扬,贾可琳·贝瑟尼,卡米尔·蒙哥马利,克雷格·韦茨巴赫尔,乔安妮·汤姆森,达娜·林恩·拜伦,斯图瓦特·斯科尔顿,克里斯随着赫尔曼·J·曼凯维奇争分夺秒地完成奥逊·威尔斯的《公民凯恩》剧本，人们将通过这位尖刻的社会评论家兼嗜酒编剧的视角，重新审视 20 世纪 30 年代的好莱坞。
切勿擅动
唐·钱德尔,本尼西奥·德尔·托罗,马特·达蒙,大卫·哈伯,布兰登·费舍,诺亚·尤佩,茱莉娅·福克斯,基南·卡尔金,克雷格·穆姆斯·格兰特,艾米·西米茨,弗兰西斯·肖,乔恩·哈姆,Tina Gloss,雷·利奥塔,拜伦·鲍尔斯,比尔·杜克,Lucy Holt,Katherine Banks,Claudia Russell,Lauren Rys Martin一群犯罪分子在神秘的环境下被聚集在一起，当他们简单的工作完全出现偏差时，他们不得不一起努力去揭开到底发生了什么。
禁果2026
莉莉·莱因哈特,罗拉·董,加布里埃尔·尤尼恩,维多利亚·佩德雷蒂,亚历山德拉·希普,大卫·皮纳德,奥斯汀·鲍尔,艾玛·张伯伦,查理·亨利·拉尔森,西德哈特·沙玛,海莉·莎莫,Caroline Vartanian,乔丹·杜阿尔特,Jeff Sinasac,Katherine Cruz在达拉斯的轻奢商场，自由伊甸门店的销售顾问苹果、樱桃与无花果，表面是光鲜亮丽的时尚女性，私下却在商场地下室运营着秘密邪教，以诡异仪式维系着扭曲的“姐妹情谊”。新员工南瓜的到来打破了三人的平衡，她的质疑与审视，迫使成员们直面内心的阴暗面，邪教仪式逐渐失控，血腥与暴力开始蔓延，每个人都必须在自我毁灭与残酷结局之间做出选择。
狂犬病1977
玛丽琳·钱伯斯,弗兰克·穆尔,乔·西尔弗,霍华德·雷什潘,帕特丽夏·盖奇,苏珊·罗曼,Roger Periard,Lynne Deragon,Terry Schonblum,Victor Désy,Julie Anna,Gary McKeehan,Terence G. Ross,米格尔·费尔南德斯,Robert O'Ree,艾伦·莫伊尔,Malcolm Nelthorpe,瓦拉斯塔·瓦拉纳,彼得·麦克内尔,Una Kay,Robert A. Silverman,Isabelle加拿大导演戴维．克罗南伯格执导的本片，主要描写骇人听闻的疯狗病，受传染的人会口吐绿液，双眼发光，并且见人乱咬，几个小时后即不治而亡。美国著名的“性”星玛里琳．查姆伯丝扮演的罗丝小姐幼时曾患过疯狗病，因车祸受伤引起病毒复发，腋下竟然不可思议地长出一个嘴巴，而且内有一个可伸缩自如的肉刺，专用来插到别人身上吸血。于是，她在一个接一个吸别人血的同时，也把疯狗病迅速传播，使城市瞬间成为疯人满布的人间地狱…… 影片评价 仅仅就身体变异而言，克隆伯格的独特之处在于处处不忘对色情幻想进行扭曲，无论是《狂犬病》（Rabid）中女主角必须由腋下长出一只阴茎来对其阴道作出支撑，还是《录像带谋杀案》（Videodrome）中男主角长出阴道般的裂口，都是这种扭曲的必然，连录像带的转子，都像双乳一样扭动。《录像带谋杀案》其实还有一个原来设想的结局，就是一男（男主角麦克斯）两女（尼基和卞卡）合体，同时以各自的变异性器官相互绞缠吞噬。在《赤裸的午餐》(Naked lunch)中，那个最终撕开男性外皮露出女体乳房的总裁如果还不够刺激，等你意识到她的装束是女同施虐的标准配备，就会有格外的颤栗。
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
鬼三惊2
萨瓦特·博拉娜波拉特,素帕娜·吉塔勒拉,雷·麦克唐纳,辛扎伊·本班尼,Apapattra Meesang《尸还魂》血性男子阿良发现女友桂儿和另一个男人波苏搞在一起，愤怒的阿良驾驶机车追赶，结果不慎车祸身亡。葬礼的第三天，平日的狐朋狗友悉数到场，连桂儿和波苏也到场上香，而灵异事件也突然发生。在此之后，众人寻找阿良丢失的手机，阿良的鬼影却接连出现；《献阴琴》某女子教会学校，传说曾有一个为情而死的修女，她死后变成无头女鬼，在夜晚弹着动听的钢琴。而如果虔诚地向他许愿，很快就会梦想成真。但是这也伴随着可怕的危险。充满嫉妒和爱欲的女孩，为情涉入险地；《祭纸扎》纸扎店老板的老婆珠珠外遇归来，对老公大献殷勤。常被欺负的小伙计阿默刚好从网上发现一则车祸消息，而这个消息让他大为震惊！恐怖不眠夜，阴雨连绵。