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死亡阴影
迈克尔·比恩,亚历山德拉·达达里奥,布雷特·里克比,诺兰·杰拉德·冯克,斯宾塞·李斯特,约翰·萨维奇,佩顿·李斯特,凯瑟琳·迈瑟尔,瓦伦蒂娜·德·安吉丽斯1989年，位于宾夕法尼亚州的东部矿区麦诺斯维尔小镇，年仅6岁的小男孩马丁·布里斯托尔（蔡斯·佩哈切克 Chase Pechacek 饰）被人绑架。在此后的5年里，马丁身在何处？又经历了什么？无人知晓。 1994年的一天，父母双亡的少女艾莉森·米勒（亚历珊德拉·达达里奥 Alexandra Daddario 饰）随叔叔乔纳森（迈克尔·比恩 Michael Biehn 饰）搬到麦诺斯维尔居住。这个出身大城市的女孩渐渐适应了这个偏远乡间的生活，也结识了帅气的男孩威廉（诺兰·吉拉德·范克 Nolan Gerard Funk 饰）。但是新生活的阳光很快退去，那幢废弃的农舍引起了艾莉森注意。她不知道，失踪已久的马丁也在黑暗中注视着他，这个男孩过早地见识了事件最为残酷与血腥的一面……
呕吐戈尔3：慢性折磨呕吐室
这是三部曲的最后一部，故事围绕着将自己奉献给撒旦的妓女展开。这部影片的内容是极端而黑暗的，令人作呕的情节屡屡出现，充斥着暴力，性，裸体，体液！一群女孩子和一个男人抠喉咙催吐，然后吃掉呕吐物，再吐出来……
吸血猎手
科里·费尔德曼,马尔科姆·麦克道威尔,鲁格·豪尔,布鲁斯·戴维森,迪恩·S·贾格尔,Richard Wagner,费尔南达·罗梅罗,Patrick Brennan,Chris Pardal,托马斯·琼斯,Lovake Heyer,金贝里·皮特森,Elizabeth Greer,霍莉·林奇,考特尼·盖恩斯,萨姆·鲁克,Clementine Heath, 金佰利·道格尔迪,Shafik N. BahouA rogue police detective in search of his parents killer is murdered and reborn the ultimate killer.
春生回家
日军侵华，陈春生目睹父亲惨死刀下，执念驱使他不顾母亲哀求，深夜偷跑参军，立誓抗日救国，再回家乡。他在战场浴血成长，终见山河光复，然而内战打响，拖慢了他回乡的脚步。陈春生拒绝向同胞举枪，沦为逃兵被关押，1949年被强行运往台湾。在台数十年，他漂泊无依，虽遇良伴组建新家，却始终被思乡之苦煎熬。两岸三通后，他竟得知母亲仍在等他，八十三岁的他飞奔回乡，与百岁母亲相认，这份迟到71年的承诺，终在生命尽头圆满。
穿越爱情线
叶灏基,关嘉敏,许俊豪,陈康琪宠爱女友的男主角，在好友帮忙下成功求婚。男主角当晚高兴入眠。至第二天醒来，发现自己在一个陌生房间，身边多了一个陌生女子，她告知是自己的老婆，惊讶之时才发现自己来到三年之后，离奇荒诞的事接踵而来，究竟为何会这样？这三年又发生了什么事？本身的女友又去了哪里呢？
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.